New African Cinema

This book PDF is perfect for those who love Art genre, written by Valérie Orlando and published by Rutgers University Press which was released on 15 April 2017 with total hardcover pages 189. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related New African Cinema books below.

New African Cinema
Author : Valérie Orlando
File Size : 42,6 Mb
Publisher : Rutgers University Press
Language : English
Release Date : 15 April 2017
ISBN : 9780813579580
Pages : 189 pages
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New African Cinema by Valérie Orlando Book PDF Summary

New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that reflect the socio-cultural and political environments of filmmakers and the cultures they depict in their films. Orlando illuminates the diverse themes evident in the works of filmmakers such as Ousmane Sembène’s Ceddo (Senegal, 1977), Sarah Maldoror’s Sambizanga (Angola, 1972), Assia Djebar’s La Nouba des femmes de Mont Chenoua (The Circle of women of Mount Chenoua, Algeria, 1978), Zézé Gamboa’s The Hero (Angola, 2004) and Abderrahmane Sissako’s Timbuktu (Mauritania, 2014), among others. Orlando also considers the influence of major African film schools and their traditions, as well as European and American influences on the marketing and distribution of African film. For those familiar with the polemics of African film, or new to them, Orlando offers a cogent analytical approach that is engaging.

New African Cinema

New African Cinema examines the pressing social, cultural, economic, and historical issues explored by African filmmakers from the early post-colonial years into the new millennium. Offering an overview of the development of postcolonial African cinema since the 1960s, Valérie K. Orlando highlights the variations in content and themes that

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