British Drama of the 1990s

This book PDF is perfect for those who love English drama genre, written by Bernhard Reitz and published by Universitatsverlag Winter which was released on 18 April 2024 with total hardcover pages 0. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related British Drama of the 1990s books below.

British Drama of the 1990s
Author : Bernhard Reitz
File Size : 51,6 Mb
Publisher : Universitatsverlag Winter
Language : English
Release Date : 18 April 2024
ISBN : 3825313751
Pages : 0 pages
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British Drama of the 1990s by Bernhard Reitz Book PDF Summary

Contents: - Klaus-Peter Muller: Political Plays in England in the 1990s. - Mark Berninger: Variations of a Genre. The British History Play in the Nineties. - Mary Luckhurst: An Embarrassment of Riches. Women Dramatists in the 1990s Britain. - Heiko Stahl: 'There ain't no black in the Union Jack' vs 'England is de place for me'. Black Women Playwrights in Britain in the 1990s. - Christopher Innes: Science on the Stage. - Aleks Sierz: In-Yer-Face Theatre. Mark Ravenhill and 1990s Drama. Graham Saunders: The Apocalyptic Theatre of Sarah Kane. - Michael Raab: 'Post-feminist masculinity and all that shit'. Patrick Marber's Closer in London and Munich.- Raimund Borgmeier: 'Convergences of different threads'. Tom Stoppard's The Invention of Love (1997). Bernhard Reitz: "just wouldn't want to be at the other end of his anger". Harold Pinter's political Plays of the Nienties. - Heiner Zimmermann: Howard Barker in the Nineties.

British Drama of the 1990s

Contents: - Klaus-Peter Muller: Political Plays in England in the 1990s. - Mark Berninger: Variations of a Genre. The British History Play in the Nineties. - Mary Luckhurst: An Embarrassment of Riches. Women Dramatists in the 1990s Britain. - Heiko Stahl: 'There ain't no black in the Union Jack' vs

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Brecht and Post 1990s British Drama

Can theatre change the world? If so, how can it productively connect with social reality and foster spectatorial critique and engagement? This open access book examines the forms and functions of political drama in what has been described as a post-Marxist, post-ideological, even post-political moment. It argues that Bertolt Brecht's

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British Theatre of the 1990s

This exciting book uniquely combines interviews with scholars and practitioners in theatre studies to look at what most people feel is a pivotal moment of British theatre - the 1990s. With a particular focus on 'in-yer-face theatre', this volume will be essential reading for all students and scholars of contemporary

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In Yer Face Theatre

The most controversial and newsworthy plays of British theatre are a rash of rude, vicious and provocative pieces by a brat pack of twentysomethings whose debuts startled critics and audiences with their heady mix of sex, violence and street-poetry. In-Yer-Face Theatre is the first book to study this exciting outburst

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Sublime Drama

British drama of the 1990s is most commonly associated with the term in-yer-face theatre, which was coined by Aleks Sierz to describe the shocking and provocative work of emerging playwrights such as Mark Ravenhill or Sarah Kane. Taking a cue from Sierz’s own suggestion that what still remains to

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Britain at the Turn of the Twenty first Century

At the turn of the twenty-first century Britain is in a state of change. It is being transformed by the ongoing process of devolution as well as by its increasing multi-ethnicity. At the same time the relationship with the European Union remains controversial. This book charts these transformations in the

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Modern British Playwriting  The 1990s

British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated

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Ethical Speculations in Contemporary British Theatre

This volume is the first to offer a comprehensive critical examination of the intersections between contemporary ethical thought and post-1989 British playwriting. Its coverage of a large number of plays and playwrights, international range of contributors and original argumentation make it a key point of reference for students and researchers.

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