Canonising Shakespeare

This book PDF is perfect for those who love Literary Criticism genre, written by Emma Depledge and published by Cambridge University Press which was released on 28 September 2017 with total hardcover pages 283. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Canonising Shakespeare books below.

Canonising Shakespeare
Author : Emma Depledge
File Size : 42,8 Mb
Publisher : Cambridge University Press
Language : English
Release Date : 28 September 2017
ISBN : 9781107154599
Pages : 283 pages
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Canonising Shakespeare by Emma Depledge Book PDF Summary

This book demonstrates how the book trade of 1640-1740 canonised Shakespeare by selling, editing and promoting his plays and poems.

Canonising Shakespeare

This book demonstrates how the book trade of 1640-1740 canonised Shakespeare by selling, editing and promoting his plays and poems.

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The Arden Research Handbook of Shakespeare and Textual Studies

The Arden Research Handbook of Shakespeare and Textual Studies is a wide-ranging, authoritative guide to research on Shakespeare and textual studies by an international team of leading scholars. It contains chapters on all the major areas of current research, notably the Shakespeare manuscripts; the printed text and paratext in Shakespeare's

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Argues that the Exclusion Crisis of 1678-82 should be considered the watershed moment in Shakespeare's authorial afterlife.

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In 1623 a team of stationers published what has become the most famous volume in English literary history: William Shakespeare's First Folio. Who were these publishers and how might their stories be bound up with those found within the book they created? Ben Higgins offers a radical new account of the

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Shakespeare   Text

Shakespeare / Text sets new agendas for the study and use of the Shakespearean text. Written by 20 leading experts on textual matters, each chapter challenges a single entrenched binary – such as book/theatre, source/adaptation, text/paratext, canon/apocrypha, sense/nonsense, extant/ephemeral, material/digital and original/copy – that has come

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Shakespeare and the Afterlife

The question of what happens after death was a vital one in Shakespeare's time, as it is today. And, like today, the answers were by no means universally agreed upon. Early moderns held surprisingly diverse beliefs about the afterlife and about how earthly life affected one's fate after death. Was

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Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms

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