Hollywood Exile or How I Learned to Love the Blacklist

This book PDF is perfect for those who love Biography & Autobiography genre, written by Bernard Gordon and published by University of Texas Press which was released on 15 April 2013 with total hardcover pages 467. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Hollywood Exile or How I Learned to Love the Blacklist books below.

Hollywood Exile  or How I Learned to Love the Blacklist
Author : Bernard Gordon
File Size : 50,5 Mb
Publisher : University of Texas Press
Language : English
Release Date : 15 April 2013
ISBN : 9780292756410
Pages : 467 pages
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Hollywood Exile or How I Learned to Love the Blacklist by Bernard Gordon Book PDF Summary

In this memoir, the American screenwriter recounts his time spent on the Hollywood blacklist in the mid-twentieth century. The Hollywood blacklist, which began in the late 1940s and ran well into the 1960s, ended or curtailed the careers of hundreds of people accused of having ties to the Communist Party. Bernard Gordon was one of them. In this highly readable memoir, he tells an engrossing insider's story of what it was like to be blacklisted and how he and others continued to work uncredited behind the scenes, writing and producing many box office hits of the era. Gordon describes how the blacklist cut short his screenwriting career in Hollywood and forced him to work in Europe. Ironically, though, his is a success story that includes the films El Cid, 55 Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of the Triffids, Earth vs. the Flying Saucers, Horror Express, and many others. He recounts the making of many movies for which he was the writer and/or producer, with wonderful anecdotes about stars such as Charlton Heston, David Niven, Sophia Loren, Ava Gardner, and James Mason; directors Nicholas Ray, Frank Capra, and Anthony Mann; and the producer-studio head team of Philip Yordan and Samuel Bronston. “Gordon’s story is one of triumphing over adversity, as he managed to make a decent living and live a rather exotic life peopled with colourful characters, while maintaining his moral integrity. It’s an inspiring, fascinating read.” —Reel Ink “Gordon never pulls his punches in this anecdotal autobiography, filled with intimate details and vivid novelistic passages. A born storyteller, he writes with warmth and humor, and there's an emotional edge to his razor-sharp recall.” —Publishers Weekly

Hollywood Exile  or How I Learned to Love the Blacklist

In this memoir, the American screenwriter recounts his time spent on the Hollywood blacklist in the mid-twentieth century. The Hollywood blacklist, which began in the late 1940s and ran well into the 1960s, ended or curtailed the careers of hundreds of people accused of having ties to the Communist Party.

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Hollywood Exiles in Europe

Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film

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 Un American  Hollywood

'Un-American Hollywood' debates the blacklist era and the aesthetic and political work of the Hollywood Left. Featuring case studies focusing on contexts of production and reception, it offers perspectives on the role of progressive politics within a capitalist media industry.

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The Final Victim of the Blacklist

Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several

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Shedding Light on the Hollywood Blacklist  Conversations with Participants

What Really Happened There were terrible crimes committed against greatly talented American citizens by overzealous and unconscionable government actions. Meet the victims inside this book. See for yourself what happened to the innocent, what they went through, how they coped with their persecution, and how they survived the aftermath with

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Sex  Sadism  Spain  and Cinema

From 1968 to 1977, Spain experienced a boom in horror-movie production under a restrictive economic system established by the country’s dictator, Francisco Franco. Despite hindrance from the Catholic Church and Spanish government, which rigidly controlled motion picture content, hundreds of horror films were produced during this ten-year period. This statistic is

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Hollywood s Blacklists

'Are you now or have you ever been a member of the Communist Party?' That question was to be repeated endlessly during the anti-Communist investigations carried out by the House Committee on un-American Activities (HUAC) in the early 1950s. The refusal of ten members of the film industry to

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Hollywood s Artists

Today, the director is considered the leading artistic force behind a film. The production of a Hollywood movie requires the labor of many people, from screenwriters and editors to cinematographers and boom operators, but the director as author of the film overshadows them all. How did this concept of the

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