Illustrating the Past in Early Modern England

This book PDF is perfect for those who love Literary Criticism genre, written by James A. Knapp and published by Routledge which was released on 28 July 2017 with total hardcover pages 281. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Illustrating the Past in Early Modern England books below.

Illustrating the Past in Early Modern England
Author : James A. Knapp
File Size : 40,9 Mb
Publisher : Routledge
Language : English
Release Date : 28 July 2017
ISBN : 9781351928908
Pages : 281 pages
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Illustrating the Past in Early Modern England by James A. Knapp Book PDF Summary

Illustrating the Past is a study of the status of visual and verbal media in early modern English representations of the past. It focuses on general attitudes towards visual and verbal representations of history as well as specific illustrated books produced during the period. Through a close examination of the relationship of image to text in light of contemporary discussions of poetic and aesthetic practice, the book demonstrates that the struggle between the image and the word played a profoundly important role in England's emergent historical self-awareness. The opposition between history and story, fact and fiction, often tenuous, provided a sounding board for deeper conflicts over the form in which representations might best yield truth from history. The ensuing schism between poets and historians over the proper venue for the lessons of the past manifested itself on the pages of early modern printed books. The discussion focuses on the word and image relationships in several important illustrated books printed during the second half of the sixteenth century-including Holinshed's Chronicles (1577) and Foxe's Book of Martyrs (1563, 1570)-in the context of contemporary works on history and poetics, such as Sir Philip Sidney's Apology for Poetry and Thomas Blundeville's The true order and Method of wryting and reading Hystories. Illustrating the Past specifically answers two important questions concerning the resultant production of literary and historical texts in the period: Why did the use of images in printed histories suddenly become unpopular at the end of the sixteenth century? and What impact did this publishing trend have on writers of literary and historical texts?

Illustrating the Past in Early Modern England

Illustrating the Past is a study of the status of visual and verbal media in early modern English representations of the past. It focuses on general attitudes towards visual and verbal representations of history as well as specific illustrated books produced during the period. Through a close examination of the

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Boudica s Odyssey in Early Modern England

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The premise that Western culture has undergone a pictorial turn (W.J.T. Mitchell) has prompted renewed interest in theorizing the visual image. In recent decades researchers in the humanities and social sciences have documented the function and status of the image relative to other media, and have traced the

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Text events in Early Modern England

Engaging with the mutually constitutive conjunctions of experience and inscription in Elizabethan England-what Sandra Logan calls the 'text/event'-this study considers multiple accounts of four historical events: Elizabeth's 1558 coronation entry; the 1575 Kenilworth entertainments; the reign of Richard II; and the 1601 Essex trial. The book traces an emergent trend in representational

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Fashion featured in black-letter broadside ballads over a hundred years before fashion magazines appeared in England. In the seventeenth century, these single-sheet prints contained rhyming song texts and woodcut pictures, accessible to almost everyone in the country. Dress was a popular subject for ballads, as well as being a commodity

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Printed images were ubiquitous in early modern Britain, and they often convey powerful messages which are all the more important for having circulated widely at the time. Yet, by comparison with printed texts, these images have been neglected, particularly by historians to whom they ought to be of the greatest

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