Masters and Masterpieces of Iranian Cinema

This book PDF is perfect for those who love Performing Arts genre, written by Hamid Dabashi and published by Mage Publishers which was released on 23 May 2023 with total hardcover pages 462. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Masters and Masterpieces of Iranian Cinema books below.

Masters and Masterpieces of Iranian Cinema

Author	: Hamid Dabashi
File Size	: 55,8 Mb
Publisher	: Mage Publishers
Language	: English
Release Date	: 23 May 2023
ISBN	: 9781949445558
Pages	: 462 pages

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Masters and Masterpieces of Iranian Cinema by Hamid Dabashi Book PDF Summary

An academically acclaimed and globally celebrated cultural critic, Hamid Dabashi is the Hagop Kevorkian Professor of Iranian Studies and Comparative Literature at Columbia University. He is the author of a number of highly acclaimed books and articles on Iran, Islam, comparative literature, world cinema, and the philosophy of art, among them Close Up: Iranian Cinema, Past, Present, Future; Dreams of a Nation: On Palestinian Cinema (editor), Iran: A People Interrupted, and Iran without Borders: Towards a Critique of the Postcolonial Nation. He lives with his family in New York City.

Masters and Masterpieces of Iranian Cinema by Hamid Dabashi

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Close Up by Hamid Dabashi

Abbas Kiarostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival for his film A Taste of Cherry in 1997. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origins in the films of Kimiyai

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Counter Memories in Iranian Cinema by Matthias Wittmann,Ute Holl

Reassesses the post-revolutionary Iranian Cinema from a new mnemo-political perspective.

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Iranian National Cinema by Anne Demy-Geroe

This book examines transformations in the production and domestic and international reception of Iranian cinema between 2000 and 2013 through the intersection of the political markers – the presidential terms of Reformist president Mohammad Khatami and his successor, the conservative Mahmoud Ahmadinejad – and filmic markers, particularly Jafar Panahi’s The Circle (2000) and Asghar

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Iranian Cinema by Hamid Reza Sadr

Recent, post-revolutionary Iranian cinema has of course gained the attention of international audiences who have been struck by its powerful, poetic and often explicitly political explorations. Yet mainstream, pre-revolutionary Iranian cinema, with a history stretching back to the early twentieth century, has been perceived in the main as lacking in

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A Colourful Presence by Maryam Ghorbankarimi

This book analyzes the changes in the representation of women in Iranian cinema since the 1960s, and investigates the reasons and motives for this. Iranian cinema, both before and after the Islamic Revolution, has been closely monitored by the ruling power, and has been utilized to relay messages and information

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The Politics of Iranian Cinema by Saeed Zeydabadi-Nejad

Iran has undergone considerable social upheaval since the revolution and this has been reflected in its cinema. Drawing on first-hand interviews and detailed ethnographic research, this book explores how cinema is engaged in the dynamics of social change in contemporary Iran. The author not only discusses the practices of regulation

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Popular Iranian Cinema before the Revolution by Pedram Partovi

Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen

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