Iron Ornament and Architecture in Victorian Britain

This book PDF is perfect for those who love Art genre, written by Paul Dobraszczyk and published by Routledge which was released on 05 July 2017 with total hardcover pages 343. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Iron Ornament and Architecture in Victorian Britain books below.

 Iron  Ornament and Architecture in Victorian Britain
Author : Paul Dobraszczyk
File Size : 44,7 Mb
Publisher : Routledge
Language : English
Release Date : 05 July 2017
ISBN : 9781351562096
Pages : 343 pages
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Iron Ornament and Architecture in Victorian Britain by Paul Dobraszczyk Book PDF Summary

Vilified by leading architectural modernists and Victorian critics alike, mass-produced architectural ornament in iron has received little sustained study since the 1960s; yet it proliferated in Britain in the half century after the building of the Crystal Palace in 1851 - a time when some architects, engineers, manufacturers, and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new, modern architectural language. Comprehensively illustrated and richly researched, Iron, Ornament and Architecture in Victorian Britain presents the most sustained study to date of the development of mechanised architectural ornament in iron in nineteenth-century architecture, its reception and theorisation by architects, critics and engineers, and the contexts in which it flourished, including industrial buildings, retail and seaside architecture, railway stations, buildings for export and exhibition, and street furniture. Appealing to architects, conservationists, historians and students of nineteenth-century visual culture and the built environment, this book offers new ways of understanding the notion of modernity in Victorian architecture by questioning and re-evaluating both Victorian and modernist understandings of the ideological split between historicism and functionalism, and ornament and structure.

 Iron  Ornament and Architecture in Victorian Britain

Vilified by leading architectural modernists and Victorian critics alike, mass-produced architectural ornament in iron has received little sustained study since the 1960s; yet it proliferated in Britain in the half century after the building of the Crystal Palace in 1851 - a time when some architects, engineers, manufacturers, and theorists believed

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 Iron  Ornament and Architecture in Victorian Britain

Vilified by leading architectural modernists and Victorian critics alike, mass-produced architectural ornament in iron has received little sustained study since the 1960s; yet it proliferated in Britain in the half century after the building of the Crystal Palace in 1851 - a time when some architects, engineers, manufacturers, and theorists believed

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The Architecture of British Seaside Piers

Of all the architectural delights of British seaside resorts, the most astonishing and idiosyncratic is the seaside pier. Remarkable visual spectacles, piers are architecturally extraordinary in concept and at times outrageous in execution. They brought together the Victorian genius for technological and material innovation, architectural ambition and engineering ingenuity in

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Function and Fantasy  Iron Architecture in the Long Nineteenth Century

The introduction of iron – and later steel – construction and decoration transformed architecture in the nineteenth century. While the structural employment of iron has been a frequent subject of study, this book re-directs scholarly scrutiny on its place in the aesthetics of architecture in the long nineteenth century. Together, its eleven

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Lavish ornamentation, the hallmark of the Victorian era, spilled over to the external details of Victorian houses, notably in cast iron decoration which was often of such delicacy that it has been popularly likened to lace. Here, for the first time, a selection of masterly photographs by Graeme Robertson -

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The rise of suburbs and disinvestment from cities have been defining features of life in many countries over the course of the twentieth century. In Victorian Visions of Suburban Utopia, Nathaniel Walker asks: why did we abandon our dense, complex urban places and seek to find "the best of the

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Nineteenth-century metropolises continue to actively haunt present-day cityscapes, informing our kaleidoscopic engagements with postmodern urbanity in aesthetic, affective, and cognitive as well as physical and sensual terms. This volume explores the complex forms of urban representation in neo-Victorian practice.

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