Japanese Cinema in the Digital Age

This book PDF is perfect for those who love Performing Arts genre, written by Mitsuyo Wada-Marciano and published by University of Hawaii Press which was released on 31 May 2012 with total hardcover pages 194. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Japanese Cinema in the Digital Age books below.

Japanese Cinema in the Digital Age
Japanese Cinema in the Digital Age
Author : Mitsuyo Wada-Marciano
File Size : 44,5 Mb
Publisher : University of Hawaii Press
Language : English
Release Date : 31 May 2012
ISBN : 9780824865887
Pages : 194 pages
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Japanese Cinema in the Digital Age by Mitsuyo Wada-Marciano Book PDF Summary

Digital technology has transformed cinema’s production, distribution, and consumption patterns and pushed contemporary cinema toward increasingly global markets. In the case of Japanese cinema, a once moribund industry has been revitalized as regional genres such as anime and Japanese horror now challenge Hollywood’s preeminence in global cinema. In her rigorous investigations of J-horror, personal documentary, anime, and ethnic cinema, Mitsuyo Wada-Marciano deliberates on the role of the transnational in bringing to the mainstream what were formerly marginal B-movie genres. She argues persuasively that convergence culture, which these films represent, constitutes Japan’s response to the variegated flows of global economics and culture. With its timely analysis of new modes of production emerging from the struggles of Japanese filmmakers and animators to finance and market their work in a post-studio era, this book holds critical implications for the future of other national cinemas fighting to remain viable in a global marketplace. As academics in film and media studies prepare a wholesale shift toward a transnational perspective of film, Wada-Marciano cautions against jettisoning the entire national cinema paradigm. Discussing the technological advances and the new cinematic flows of consumption, she demonstrates that while contemporary Japanese film, on the one hand, expresses the transnational as an object of desire (i.e., a form of total cosmopolitanism), on the other hand, that desire is indeed inseparable from Japan’s national identity. Drawing on a substantial number of interviews with auteur directors such as Kore’eda Hirokazu, Kurosawa Kiyoshi, and Kawase Naomi, and incisive analysis of select film texts, this compelling, original work challenges the presumption that Hollywood is the only authentically “global” cinema.

Japanese Cinema in the Digital Age

Japanese Cinema in the Digital Age by Mitsuyo Wada-Marciano

Digital technology has transformed cinema’s production, distribution, and consumption patterns and pushed contemporary cinema toward increasingly global markets. In the case of Japanese cinema, a once moribund industry has been revitalized as regional genres such as anime and Japanese horror now challenge Hollywood’s preeminence in global cinema. In

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