Late Antique Portraits and Early Christian Icons

This book PDF is perfect for those who love Art genre, written by Andrew Paterson and published by Taylor & Francis which was released on 30 June 2022 with total hardcover pages 219. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Late Antique Portraits and Early Christian Icons books below.

Late Antique Portraits and Early Christian Icons
Author : Andrew Paterson
File Size : 43,6 Mb
Publisher : Taylor & Francis
Language : English
Release Date : 30 June 2022
ISBN : 9781000600223
Pages : 219 pages
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Late Antique Portraits and Early Christian Icons by Andrew Paterson Book PDF Summary

This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities. Andrew Paterson addresses two fundamental questions about devotional portraiture – both Christian and non-Christian – in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait’s subject. The book will be of interest to scholars working in art history, theology, religion and classical studies.

Late Antique Portraits and Early Christian Icons

This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities. Andrew Paterson addresses two

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Twelve international papers, from a conference held at the University of Aarhus in 1997, which explore the iconography and styles of Late Antique art and architecture. The papers argue that Late Antiquity existed as a distinct period in its own right and that it exhibited both transformation and continuity.

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