Study in Black and White

This book PDF is perfect for those who love Photography genre, written by Tanya Sheehan and published by Penn State Press which was released on 06 May 2019 with total hardcover pages 441. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Study in Black and White books below.

Study in Black and White
Author : Tanya Sheehan
File Size : 44,7 Mb
Publisher : Penn State Press
Language : English
Release Date : 06 May 2019
ISBN : 9780271082462
Pages : 441 pages
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Study in Black and White by Tanya Sheehan Book PDF Summary

In this volume, Tanya Sheehan takes humor seriously in order to trace how photographic comedy was used in America and transnationally to express evolving ideas about race, black emancipation, and civil rights in the mid-1800s and into the twentieth century. Sheehan employs a trove of understudied materials to write a new history of photography, one that encompasses the rise of the commercial portrait studio in the 1840s, the popularization of amateur photography around 1900, and the mass circulation of postcards and other photographic ephemera in the twentieth century. She examines the racial politics that shaped some of the most essential elements of the medium, from the negative-positive process to the convention of the photographic smile. The book also places historical discourses in relation to contemporary art that critiques racism through humor, including the work of Genevieve Grieves, Adrian Piper, Lorna Simpson, Kara Walker, and Fred Wilson. By treating racial humor about and within the photographic medium as complex social commentary, rather than a collectible curiosity, Study in Black and White enriches our understanding of photography in popular culture. Transhistorical and interdisciplinary, this book will be of vital interest to scholars of art history and visual studies, critical race studies, U.S. history, and African American studies.

Study in Black and White

In this volume, Tanya Sheehan takes humor seriously in order to trace how photographic comedy was used in America and transnationally to express evolving ideas about race, black emancipation, and civil rights in the mid-1800s and into the twentieth century. Sheehan employs a trove of understudied materials to write

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