Art and Identity in Early Modern Rome

This book PDF is perfect for those who love Art genre, written by Jill Burke and published by Routledge which was released on 05 July 2017 with total hardcover pages 308. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Art and Identity in Early Modern Rome books below.

Art and Identity in Early Modern Rome
Author : Jill Burke
File Size : 42,8 Mb
Publisher : Routledge
Language : English
Release Date : 05 July 2017
ISBN : 9781351575713
Pages : 308 pages
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Art and Identity in Early Modern Rome by Jill Burke Book PDF Summary

From the late fifteenth to the late seventeenth century, Rome was one of the most vibrant and productive centres for the visual arts in the West. Artists from all over Europe came to the city to see its classical remains and its celebrated contemporary art works, as well as for the opportunity to work for its many wealthy patrons. They contributed to the eclecticism of the Roman artistic scene, and to the diffusion of 'Roman' artistic styles in Europe and beyond. Art and Identity in Early Modern Rome is the first book-length study to consider identity creation and artistic development in Rome during this period. Drawing together an international cast of key scholars in the field of Renaissance studies, the book adroitly demonstrates how the exceptional quality of Roman court and urban culture - with its elected 'monarchy', its large foreign population, and unique sense of civic identity - interacted with developments in the visual arts. With its distinctive chronological span and uniquely interdisciplinary approach, Art and Identity in Early Modern Rome puts forward an alternative history of the visual arts in early modern Rome, one that questions traditional periodisation and stylistic categorisation.

Art and Identity in Early Modern Rome

From the late fifteenth to the late seventeenth century, Rome was one of the most vibrant and productive centres for the visual arts in the West. Artists from all over Europe came to the city to see its classical remains and its celebrated contemporary art works, as well as for

Get Book
Art  Patronage  and Nepotism in Early Modern Rome

Drawing on rich archival research and focusing on works by leading artists including Guido Reni and Gian Lorenzo Bernini, Karen J. Lloyd demonstrates that cardinal nephews in seventeenth-century Rome – those nephews who were raised to the cardinalate as princes of the Church – used the arts to cultivate more than splendid

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A Companion to Religious Minorities in Early Modern Rome

An examination of groups and individuals in Rome who were not Roman Catholic, or not born so. It demonstrates how other religions had a lasting impact on early modern Catholic institutions in Rome.

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Tombs in Early Modern Rome  1400   1600

Jan L. de Jong studies how tombs in Early Modern Rome (1400-1600) did not just function as a place to bury the dead, but as monuments of mourning, memory, and meditation on life, death and the hereafter.

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The Vacant See in Early Modern Rome

John M. Hunt offers a social and cultural history of the papal interregnum from 1559 to 1655 that concentrates on Rome’s relationship with its sacred ruler.

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Baronial Patronage of Music in Early Modern Rome

This is the first dedicated study of the musical patronage of Roman baronial families in the sixteenth and early seventeenth centuries. Patronage – the support of a person or institution and their work by a patron – in Renaissance society was the basis of a complex network of familial and political relationships

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A Companion to Early Modern Rome  1492   1692

Winner of the 2011 Bainton Prize for Reference Works A Companion to Early Modern Rome, 1492-1692, edited by Pamela M. Jones, Barbara Wisch, and Simon Ditchfield, is a unique multidisciplinary study offering innovative analyses of a wide range of topics. The 30 chapters critique past and recent scholarship and identify new avenues

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Wives  Widows  Mistresses  and Nuns in Early Modern Italy

Through a visually oriented investigation of historical (in)visibility in early modern Italy, the essays in this volume recover those women - wives, widows, mistresses, the illegitimate - who have been erased from history in modern literature, rendered invisible or obscured by history or scholarship, as well as those who

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