Authorship Roles in Popular Music

This book PDF is perfect for those who love Music genre, written by Ron Moy and published by Routledge which was released on 19 June 2015 with total hardcover pages 184. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Authorship Roles in Popular Music books below.

Authorship Roles in Popular Music
Author : Ron Moy
File Size : 44,5 Mb
Publisher : Routledge
Language : English
Release Date : 19 June 2015
ISBN : 9781317672746
Pages : 184 pages
Get Book

Authorship Roles in Popular Music by Ron Moy Book PDF Summary

Authorship Roles in Popular Music applies the critical concept of auteur theory to popular music via different aspects of production and creativity. Through critical analysis of the music itself, this book contextualizes key concepts of authorship relating to gender, race, technology, originality, uniqueness, and genius and raises important questions about the cultural constructions of authenticity, value, class, nationality, and genre. Using a range of case studies as examples, it visits areas as diverse as studio production, composition, DJing, collaboration, performance and audience. This book is an essential introduction to the critical issues and debates surrounding authorship in popular music. It is an ideal resource for students, researchers, and scholars in popular musicology and cultural studies.

Authorship Roles in Popular Music

Authorship Roles in Popular Music applies the critical concept of auteur theory to popular music via different aspects of production and creativity. Through critical analysis of the music itself, this book contextualizes key concepts of authorship relating to gender, race, technology, originality, uniqueness, and genius and raises important questions about

Get Book
Popular Music  The Key Concepts

Now in an updated fourth edition, this popular A-Z student handbook provides a comprehensive survey of key ideas and concepts in popular music culture. With new and expanded entries on genres and subgenres, the text comprehensively examines the social and cultural aspects of popular music, taking into account the digital

Get Book
Popular Music Culture

Now in its fifth edition, this popular A–Z student reference book provides a comprehensive survey of key ideas and concepts in popular music culture, examining the social and cultural aspects of popular music. Fully revised with extended coverage of the music industries, sociological concepts and additional references to reading,

Get Book
Popscript  Graduate Research In Popular Music Studies

Download or read online Popscript Graduate Research In Popular Music Studies written by Simone Krüger (ed.),Ron Moy (ed.), published by Lulu.com which was released on 2014. Get Popscript Graduate Research In Popular Music Studies Books now! Available in PDF, ePub and Kindle.

Get Book
British Music Videos 1966   2016

Based on new archival evidence and interviews, and setting out a new theoretical framework for music video analysis, Emily Caston presents a major new analysis of music videos from 1966-2016, identifying not only their distinctive British traits, but their parallels with British film genres and styles. By analysing the genre,

Get Book
National Myth and the First World War in Modern Popular Music

This book looks at the role of popular music in constructing the myth of the First World War. Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. National Myth and the First World War in Modern Popular Music

Get Book
As Heard on TV  Popular Music in Advertising

The use of popular music in advertising represents one of the most pervasive mergers of cultural and commercial objectives in the modern age. Steady public response to popular music in television commercials, ranging from the celebratory to the outraged, highlights both unresolved tensions around such partnerships and the need to

Get Book
Creative Autonomy  Copyright and Popular Music in Nigeria

This book provides an in-depth analysis of the unique structure of the Nigerian popular music industry. It explores the dissonance between copyright’s thematic support for creative autonomy and the practical ways in which the law allows singer-songwriters’ (performing authors') creative autonomy to be subverted in their contractual relationships with

Get Book