Emotion and the Self in English Renaissance Literature

This book PDF is perfect for those who love Contentment genre, written by Paul Joseph Zajac and published by Unknown which was released on 02 June 2024 with total hardcover pages 0. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Emotion and the Self in English Renaissance Literature books below.

Emotion and the Self in English Renaissance Literature
Author : Paul Joseph Zajac
File Size : 40,9 Mb
Publisher : Unknown
Language : English
Release Date : 02 June 2024
ISBN : 1009271709
Pages : 0 pages
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Emotion and the Self in English Renaissance Literature by Paul Joseph Zajac Book PDF Summary

This book offers the first full-length study of early modern contentment, the emotional and ethical principle that became the gold standard of English Protestant psychology and an abiding concern of English Renaissance literature. Theorists and literary critics have equated contentedness with passivity, stagnation, and resignation. However, this book excavates an early modern understanding of contentment as dynamic, protective, and productive. While this concept has roots in classical and medieval philosophy, contentment became newly significant because of the English Reformation. Reformers explored contentedness as a means to preserve the self and prepare the individual to endure and engage the outside world. Their efforts existed alongside representations and revisions of contentment by authors including Sidney, Spenser, Shakespeare, and Milton. By examining Renaissance models of contentment, this book explores alternatives to Calvinist despair, resists scholarly emphasis on negative emotions, and reaffirms the value of formal concerns to studies of literature, religion, and affect.

Emotion and the Self in English Renaissance Literature

This book offers the first full-length study of early modern contentment, the emotional and ethical principle that became the gold standard of English Protestant psychology and an abiding concern of English Renaissance literature. Theorists and literary critics have equated contentedness with passivity, stagnation, and resignation. However, this book excavates an

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Emotion and the Self in English Renaissance Literature

Unearthing a little-studied Reformation discourse of contentment, this book shows its surprising significance in Renaissance literature.

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The Renaissance of emotion

This collection of essays offers a major reassessment of the meaning and significance of emotional experience in the work of Shakespeare and his contemporaries. Recent scholarship on early modern emotion has relied on a medical-historical approach, resulting in a picture of emotional experience that stresses the dominance of the material,

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Masculinity and Emotion in Early Modern English Literature

The first full length treatment of how men of different professions, social ranks and ages are empowered by their emotional expressiveness in early modern English literary works, this study examines the profound impact of the cultural shift in the English aristocracy from feudal warriors to emotionally expressive courtiers or gentlemen

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Reading the Early Modern Passions

How translatable is the language of the emotions across cultures and time? What connotations of particular emotions, strongly felt in the early modern period, have faded or shifted completely in our own? If Western culture has traditionally held emotion to be hostile to reason and the production of scientific knowledge,

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Time  Narrative  and Emotion in Early Modern England

Exploiting a link between early modern concepts of the medical and the literary, David Houston Wood suggests that the recent critical attention to the gendered, classed, and raced elements of the embodied early modern subject has been hampered by its failure to acknowledge the role time and temporality play within

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The Automaton in English Renaissance Literature

The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the

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Ovid and the Politics of Emotion in Elizabethan England

Elizabethan English culture is saturated with tales and figures from Ovid s Metamorphoses. While most of these narratives interrogate metamorphosis and transformation, many tales - such as those of Philomela, Hecuba, or Orpheus - also highlight heightened states of emotion, especially in powerless or seemingly powerless characters. When these tales

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