Entertaining Uncertainty in the Early Modern Theater

This book PDF is perfect for those who love Literary Criticism genre, written by Lauren Robertson and published by Cambridge University Press which was released on 31 December 2022 with total hardcover pages 269. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Entertaining Uncertainty in the Early Modern Theater books below.

Entertaining Uncertainty in the Early Modern Theater
Author : Lauren Robertson
File Size : 43,6 Mb
Publisher : Cambridge University Press
Language : English
Release Date : 31 December 2022
ISBN : 9781009225120
Pages : 269 pages
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Entertaining Uncertainty in the Early Modern Theater by Lauren Robertson Book PDF Summary

Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of the early modern theater's representational practices, Robertson uncovers the uncertainty that went to the heart of playgoing experience in this period. Doubt was not merely the purview of Hamlet and other onstage characters, but was in fact constitutive of spectators' imaginative participation in performance. Within a culture in the midst of extreme epistemological upheaval, the commercial theater licensed spectators' suspension among opposed possibilities, transforming dubiety itself into exuberantly enjoyable, spectacular show. Robertson shows that the playhouse was a site for the entertainment of uncertainty in a double sense: its pleasures made the very trial of unknowing possible.

Entertaining Uncertainty in the Early Modern Theater

Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of the early modern theater's representational practices, Robertson uncovers the uncertainty that went to the heart

Get Book
Historical Affects and the Early Modern Theater

This collection of original essays honors the groundbreaking scholarship of Jean E. Howard by exploring cultural and economic constructions of affect in the early modern theater. While historicist and materialist inquiry has dominated early modern theater studies in recent years, the historically specific dimensions of affect and emotion remain underexplored.

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Publicity and the Early Modern Stage

What did publicity look like before the eighteenth century? What were its uses and effects, and around whom was it organized? The essays in this collection ask these questions of early modern London. Together, they argue that commercial theater was a vital engine in celebrity’s production. The men and

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Unruly Audiences and the Theater of Control in Early Modern London

Unruly Audiences and the Theater of Control in Early Modern London explores the effects of audience riots on the dramaturgy of early modern playwrights, arguing that playwrights from Marlowe to Brome often used their plays to control the physical reactions of their audience. This study analyses how, out of anxiety

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Theatrical Convention and Audience Response in Early Modern Drama

This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses

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Passionate Playgoing in Early Modern England

Passionate Playgoing in Early Modern England examines the emotional effect of stage performance on the minds of the early modern theatre audience.

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Early Modern Actors and Shakespeare s Theatre

What skills did Shakespeare's actors bring to their craft? How do these skills differ from those of contemporary actors? Early Modern Actors and Shakespeare's Theatre: Thinking with the Body examines the 'toolkit' of the early modern player and suggests new readings of the plays of Shakespeare and his contemporaries through

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From Playtext to Performance on the Early Modern Stage

This book reconsiders the evidence for what we know (or think we know) about early modern performance condition.This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors.

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