Histories and Practices of Live Art

This book PDF is perfect for those who love Performing Arts genre, written by Deirdre Heddon and published by Bloomsbury Publishing which was released on 07 December 2012 with total hardcover pages 344. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Histories and Practices of Live Art books below.

Histories and Practices of Live Art

Author	: Deirdre Heddon
File Size	: 51,7 Mb
Publisher	: Bloomsbury Publishing
Language	: English
Release Date	: 07 December 2012
ISBN	: 9781350315853
Pages	: 344 pages

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Histories and Practices of Live Art by Deirdre Heddon Book PDF Summary

In this dynamic collection a team of experts map the development of Live Art culturally, thematically and historically. Supported with examples from around the world, the text engages with a number of key practices, asking what these practices do and how they can be contextualised and understood.

Histories and Practices of Live Art by Deirdre Heddon,Jennie Klein

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Histories and Practices of Live Art by Deirdre Heddon,Jennie Klein

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Histories of Performance Documentation by Gabriella Giannachi,Jonah Westerman

Histories of Performance Documentation traces the many ways in which museums have approached performance works from the 1960s onwards, considering the unique challenges of documenting live events. From hybrid and interactive arts, to games and virtual and mixed reality performance, this collection investigates the burgeoning role of the performative in

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Live Visuals by Steve Gibson,Stefan Arisona,Donna Leishman,Atau Tanaka

This volume surveys the key histories, theories and practice of artists, musicians, filmmakers, designers, architects and technologists that have worked and continue to work with visual material in real time. Covering a wide historical period from Pythagoras’s mathematics of music and colour in ancient Greece, to Castel’s ocular

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Relive by Sean Cubitt,Paul Thomas

Leading historians of the media arts define a new materialist media art history, discussing temporality, geography, ephemerality, and the future. In Relive, leading historians of the media arts grapple with this dilemma: how can we speak of “new media” and at the same time write the histories of these arts?

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Live Art in the UK by Maria Chatzichristodoulou

Since entering the performance lexicon in the 1970s, the term Live Art has been used to describe a diverse but interrelated array of performance practices and approaches. This volume offers a contextual and critical introduction to the scene of contemporary Live Art in Britain. Focusing on key artists whose prolific

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Curating Live Arts by Dena Davida,Marc Pronovost,Véronique Hudon,Jane Gabriels

Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose

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Critical Live Art by Dominic Johnson

Live Art is a contested category, not least because of the historical, disciplinary and institutional ambiguities that the term often tends to conceal. Live Art can be usefully defined as a peculiarly British variation on particular legacies of cultural experimentation – a historically and culturally contingent translation of categories including body

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