Hollywood Blacklist The Arts

This book PDF is perfect for those who love History genre, written by iMinds and published by iMinds Pty Ltd which was released on 14 May 2014 with total hardcover pages 6. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Hollywood Blacklist The Arts books below.

Hollywood Blacklist The Arts
Hollywood Blacklist The Arts
Author : iMinds
File Size : 41,8 Mb
Publisher : iMinds Pty Ltd
Language : English
Release Date : 14 May 2014
ISBN : 9781921746895
Pages : 6 pages
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Hollywood Blacklist The Arts by iMinds Book PDF Summary

Learn about the Hollywood Blacklist with iMinds insightful knowledge series. It was November 25th, 1947. There was a joint release of a statement saying the Hollywood studios would not employ Communists. But it did not end there. They also agreed that those people identified as the Hollywood Ten should be fired or suspended without pay until they had publicly sworn that they were not communists, and were cleared of Congressional contempt charges. This was the official beginning of the Hollywood blacklist. But who were the Hollywood Ten? How had Tinsel town become a battleground for the Cold War? The Hollywood Ten were screenwriters, film directors and producers. These ten men had been subpoenaed to appear before the Congressional House Committee on Un-American Activities. iMinds brings targeted knowledge to your eReading device with short information segments to whet your mental appetite and broaden your mind.

Hollywood Blacklist The Arts

Hollywood Blacklist The Arts by iMinds

Learn about the Hollywood Blacklist with iMinds insightful knowledge series. It was November 25th, 1947. There was a joint release of a statement saying the Hollywood studios would not employ Communists. But it did not end there. They also agreed that those people identified as the Hollywood Ten should be fired

Get Book
Hollywood s Blacklists

Hollywood s Blacklists by Reynold Humphries

'Are you now or have you ever been a member of the Communist Party?' That question was to be repeated endlessly during the anti-Communist investigations carried out by the House Committee on un-American Activities (HUAC) in the early 1950s. The refusal of ten members of the film industry to

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High Noon

High Noon by Glenn Frankel

From the New York Times-bestselling author of The Searchers, the revelatory story behind the classic movie High Noon and the toxic political climate in which it was created. It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first

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Hollywood Exiles in Europe

Hollywood Exiles in Europe by Rebecca Prime

Rebecca Prime documents the untold story of the American directors, screenwriters, and actors who exiled themselves to Europe as a result of the Hollywood blacklist. During the 1950s and 1960s, these Hollywood émigrés directed, wrote, or starred in almost one hundred European productions, their contributions ranging from crime film

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Un American Hollywood

Un American Hollywood by Frank Krutnik

'Un-American Hollywood' debates the blacklist era and the aesthetic and political work of the Hollywood Left. Featuring case studies focusing on contexts of production and reception, it offers perspectives on the role of progressive politics within a capitalist media industry.

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Broadway and the Blacklist

Broadway and the Blacklist by K. Kevyne Baar

During the era often commonly known as McCarthyism, many motion picture and television creators were blacklisted for supposed communist ties. There remained, however, a creative outlet that still welcomed these artists--theatre. This book explores the role theatre played during this turbulent period, covering the formation of the Theatre Guild (which

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Film Criticism the Cold War and the Blacklist

Film Criticism the Cold War and the Blacklist by Jeff Smith

Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by the House Committee

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Only Victims

Only Victims by Robert Vaughn

In a dramatic change of role, the noted television and film star has written a vivid and incisive account of the House Committee on Un-American Activities' probe of the entertainment industry from 1938 to 1958. Formed to investigate alleged subversives, by the late fifties the committee had succeeded in ruining the careers

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