Lars von Trier s Women

This book PDF is perfect for those who love Performing Arts genre, written by Rex Butler and published by Bloomsbury Publishing USA which was released on 17 November 2016 with total hardcover pages 272. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Lars von Trier s Women books below.

Lars von Trier s Women
Author : Rex Butler
File Size : 43,5 Mb
Publisher : Bloomsbury Publishing USA
Language : English
Release Date : 17 November 2016
ISBN : 9781501322464
Pages : 272 pages
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Lars von Trier s Women by Rex Butler Book PDF Summary

The Danish director Lars von Trier is undoubtedly one of the world's most important and controversial filmmakers, and arguably so because of the depiction of women in his films. He has been criticized for subjecting his female characters to unacceptable levels of violence or reducing them to masochistic self-abnegation, as with Bess in Breaking the Waves, 'She' in Antichrist and Joe in Nymphomaniac. At other times, it is the women in his films who are dominant or break out in violence, as in his adaptation of Euripides' Medea, the conclusion of Dogville and perhaps throughout Nymphomaniac. Lars von Trier's Women confronts these dichotomies head on. Editors Rex Butler and David Denny do not take a position either for or against von Trier, but rather consider how both attitudes fall short of the real difficulty of his films, which may simply not conform to any kind of feminist or indeed anti-feminist politics as they are currently configured. Using Lacanian psychoanalysis and acknowledging the work of prior scholars on the films, Lars von Trier's Women reveals hidden resources for a renewed 'feminist' politics and social practice.

Lars von Trier s Women

The Danish director Lars von Trier is undoubtedly one of the world's most important and controversial filmmakers, and arguably so because of the depiction of women in his films. He has been criticized for subjecting his female characters to unacceptable levels of violence or reducing them to masochistic self-abnegation, as

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Woman in Lars von Trier   s Cinema  1996   2014

This book discusses the figure of Woman in Lars von Trier’s distinctive cinematic productions from 1996 to 2014. It takes the notorious legacy of violence against women in von Trier’s cinema beyond the perceived gender division, elevating the director’s image above being a mere provocateur. By raising fundamental questions

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The Films of Lars von Trier and Philosophy

The films of Lars von Trier offer unique opportunities for thinking deeply about how Philosophy and Cinema speak to one another. The book addresses von Trier’s films in order of their release. The earlier chapters discuss his Golden Heart trilogy and USA: Land of Opportunities series by addressing issues

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Interviews

A collection of interviews with the most intriguing film director to emerge in Denmark since the days of his great mentor in spirit Carl Theodor Dreyer

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Female Masochism in Film

Theoretically and representationally, responses to heterosexual female masochism have ranged from neglect in theories that focus predominantly or only upon masochistic sexuality within male subjects, to condemnation from feminists who regard it as an inverted expression of patriarchal control rather than a legitimate form of female desire. It has commonly

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Lars Von Trier

This volume provides an overview of von Trier's career while focusing on his more recent work, including the Gold Heart Trilogy, the USA Trilogy, and individual projects such as the comedy The Boss of It All and the horror psychodrama Antichrist. The author draws on a range of cultural references

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Reel Women

Reel Women assembles an impressive list of more than 2,400 films that feature female protagonists. Each entry includes a brief description of the film and cites key artistic personnel, particularly female directors, producers, and screenwriters involved in its production.

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Lars von Trier Beyond Depression

Lars von Trier built a reputation as a provocateur from the start—but in the late 2000s, he entered an even more inflammatory phase. Amid Cannes controversies, Antichrist (2009), Melancholia (2011), Nymphomaniac (2013–14), and The House That Jack Built (2018) brandished the cinematic virtuosity von Trier once banned under the Dogme 95 Manifesto while subjecting

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