Music by Max Steiner

This book PDF is perfect for those who love Biography & Autobiography genre, written by Steven C. Smith and published by Cultural Biographies which was released on 23 June 2024 with total hardcover pages 497. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Music by Max Steiner books below.

Music by Max Steiner
Author : Steven C. Smith
File Size : 48,6 Mb
Publisher : Cultural Biographies
Language : English
Release Date : 23 June 2024
ISBN : 9780190623272
Pages : 497 pages
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Music by Max Steiner by Steven C. Smith Book PDF Summary

In this biography the author interweaves the dramatic incidents of Steiner's personal life with an accessible exploration of his composing methods and experiences

Music by Max Steiner

In this biography the author interweaves the dramatic incidents of Steiner's personal life with an accessible exploration of his composing methods and experiences

Get Book
Music by Max Steiner

During a seven-decade career that spanned from 19th century Vienna to 1920s Broadway to the golden age of Hollywood, three-time Academy Award winner Max Steiner did more than any other composer to introduce and establish the language of film music. Indeed, revered contemporary film composers like John Williams and Danny

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Max Steiner

Max Steiner is one of the greatest—not to mention most prolific—composers of the Golden Age of Hollywood. The winner of three Academy Awards, Steiner’s credits include King Kong, The Informer, Gone with the Wind, Now, Voyager, Since You Went Away, Johnny Belinda, and The Caine Mutiny. Though

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A Heart at Fire s Center

No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent

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Celluloid Symphonies

Celluloid Symphonies is a unique sourcebook of writings on music for film, bringing together fifty-three critical documents, many previously inaccessible. It includes essays by those who created the music—Max Steiner, Erich Korngold, Jerry Goldsmith, Elmer Bernstein and Howard Shore—and outlines the major trends, aesthetic choices, technological innovations, and

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Settling the Score

Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold’s Captain Blood, Max Steiner’s

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Making Music in Selznick s Hollywood

Iconic images from fiery scenes of catharsis in Gone With the Wind and Rebecca to The Third Man's decadent cinematography have proven inseparable from their accompanying melodies. From the 1910s-50s, producer David O. Selznick depended upon music to distinguish his films from his competitors'. By demonstrating music's value in

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Hugo Friedhofer

In this paperbound reprint of a 1999 work, Danly (composer and film music historian) tells the story of Hugo Friedhofer, who began his career as a film composer at the start of the sound era and was a major contributor to the artistic development of this genre of music. The chapters

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