| Author | : Susan Lohafer |
| File Size | : 53,9 Mb |
| Publisher | : Unknown |
| Language | : English |
| Release Date | : 05 May 1989 |
| ISBN | : 080711586X |
| Pages | : 352 pages |
Download or read online Short Story Theory at a Crossroads written by Susan Lohafer, published by Unknown which was released on 1989. Get Short Story Theory at a Crossroads Books now! Available in PDF, ePub and Kindle.
Get BookDownload or read online Flannery O Connor written by R. Neil Scott, published by Timberlane Books which was released on 2002. Get Flannery O Connor Books now! Available in PDF, ePub and Kindle.
Get BookHere twenty-one interviews (eighteen with contemporary writers and three with scholars of the short story) reveal the demanding and exhilarating requirements the short story imposes upon its practitioners. Although amateurs delight in writing stories, form proves to demand a master touch, like that of the interviewees.
Get BookThe short story has been a staple of American literature since the nineteenth century, taught in virtually every high school and consistently popular among adult readers. But what makes a short story unique? In Reading for Storyness, Susan Lohafer, former president of the Society for the Study of the Short
Get BookMavis Gallant has been a leading literary figure in Canada since her first short story, published in 1951, and has grown to be considered internationally as a modern master of the genre. Her writing is nuanced, sensitive, gifted, deep and concise. She leaves everything open for the hidden potential that can
Get BookSusan McKenna presents the innovative narratives of Emilia Pardo Bazán, Spain's preeminent nineteenth-century female writer, in Crafting the Female Subject.
Get BookIn this study of the late, lamented writer (d. 1988), Runyon reveals an ambitious metafiction beneath the terse style of Carver's works and places Carver squarely in the context of the minimalist debate. Foreword by Stephen Dobyns. Annotation copyrighted by Book News, Inc., Portland, OR
Get BookIn spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction
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