The Expressionist Turn in Art History

This book PDF is perfect for those who love Art genre, written by KimberlyA. Smith and published by Routledge which was released on 05 July 2017 with total hardcover pages 374. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related The Expressionist Turn in Art History books below.

The Expressionist Turn in Art History
Author : KimberlyA. Smith
File Size : 43,6 Mb
Publisher : Routledge
Language : English
Release Date : 05 July 2017
ISBN : 9781351544726
Pages : 374 pages
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The Expressionist Turn in Art History by KimberlyA. Smith Book PDF Summary

During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a cross-section of noteworthy art history texts that have been described as expressionist, along with critical commentaries by an international group of scholars. Written between 1912 and 1933, the primary sources have been selected from the published scholarship of both recognized and less-familiar figures in the field's Germanic tradition: Wilhelm Worringer, Fritz Burger, Ernst Heidrich, Max Dvor? Heinrich W?lfflin, and Carl Einstein. Translated here for the first time, these examples of an expressionist turn in art history, along with their secondary analyses and the book's introduction, offer a productive lens through which to re-examine the practice and theory of art history in the early twentieth century.

The Expressionist Turn in Art History

During the period in which Expressionist artists were active in central Europe, art historians were producing texts which also began to be characterized evocatively as ?expressionist?, yet the notion of an expressionist art history has yet to be fully explored in historiographic studies of the discipline. This anthology offers a

Get Book
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Featuring some of the major voices in the world of art history, this volume explores the methodological aspects of comparison in the historiography of the discipline. The chapters assess the strengths and weaknesses of comparative practice in the history of art, and consider the larger issue of the place of

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An examination of visual and discursive connections between Expressionist art and commercial posters to show the equal importance of the aesthetic, utilitarian, and commercial in German modernism.

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Invisible Cathedrals places Wilhelm Worringer in the foreground of discussions of Expressionism and German Modernism for the first time. These essays not only reveal the complexities of his individual works, such as Abstraction and Empathy (1908) and Form Problems of the Gothic (1911), they also examine his lesser-known books and essays of

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Max Beckmann, Otto Dix, George Grosz, Emil Nolde, E.L. Kirchner, Paul Klee, Franz Marc as well as the Austrians Oskar Kokoschka and Egon Schiele were among the generation of highly individual artists who contributed to the vivid and often controversial new movement in early twentieth-century Germany and Austria: Expressionism.

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