The Oxford Handbook of Dance and Reenactment

This book PDF is perfect for those who love Music genre, written by Mark Franko and published by Oxford University Press which was released on 17 May 2024 with total hardcover pages 681. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related The Oxford Handbook of Dance and Reenactment books below.

The Oxford Handbook of Dance and Reenactment
Author : Mark Franko
File Size : 54,5 Mb
Publisher : Oxford University Press
Language : English
Release Date : 17 May 2024
ISBN : 9780199314201
Pages : 681 pages
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The Oxford Handbook of Dance and Reenactment by Mark Franko Book PDF Summary

Starting from differences between reenactment and the more established practice of historical reconstruction, leading practitioners and theorists ask how the notion of preservation and representation associated with reconstruction is transformed by reenactment into historical experience and affective relation to the past in the present. In other terms: How does dance convey historical meaning through sensuous form? Danced reenactment poses the problem of history and historicity in relation to the troubled temporality inherent to dance itself. Ephemerality as the central trope of dance is hence displaced in favor of dance as a reiterative practice that confounds categories of chronological time and opens up a theoretical space of history that is often invisibilized by ideologies of immediacy traditionally attributed to dancing.

The Oxford Handbook of Dance and Reenactment

Starting from differences between reenactment and the more established practice of historical reconstruction, leading practitioners and theorists ask how the notion of preservation and representation associated with reconstruction is transformed by reenactment into historical experience and affective relation to the past in the present. In other terms: How does dance

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This text offers new ways of understanding dance on the popular screen in new scholarly arguments drawn from dance studies, performance studies, and film and media studies. Through these arguments, it demonstrates how this dance in popular film, television, and online videos can be read and considered through the different

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This handbook brings together genres, aesthetics, cultural practices and historical movements that provide insight into humanist concerns at the crossroads of dance and theatre, broadening the horizons of scholarship in the performing arts and moving the fields closer together.

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