Women and Experimental Filmmaking

This book PDF is perfect for those who love Experimental films genre, written by Jean Petrolle and published by University of Illinois Press which was released on 02 June 2024 with total hardcover pages 316. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Women and Experimental Filmmaking books below.

Women and Experimental Filmmaking
Women and Experimental Filmmaking
Author : Jean Petrolle
File Size : 50,9 Mb
Publisher : University of Illinois Press
Language : English
Release Date : 02 June 2024
ISBN : 0252030060
Pages : 316 pages
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Women and Experimental Filmmaking by Jean Petrolle Book PDF Summary

Women and Experimental Filmmaking gathers essays by some of the top scholars in cinema studies dealing with women experimental filmmakers. Tracking the topic across racial, economic, geographic, and even temporal boundaries, Jean Petrolle and Virginia Wexman's selections refiect the deep diversity of methodologies and research. The introduction sets out by addressing the basic difficulties of both historiography and definition before providing a historical overview of how these particular filmmakers have helped shape moviemaking traditions. The essays explore the major theoretical controversies that have arisen around the work of groundbreaking women such as Leslie Thornton, Su Friedrich, Nina Menkes, and Faith Hubley. With the film- makers representations of women's subjectivity ranging across film, video, digital media, ethnography, animation, and collage, Women and Experimental Filmmaking represents the full spectrum of genres, techniques, and modes.

Women and Experimental Filmmaking

Women and Experimental Filmmaking by Jean Petrolle,Virginia Wright Wexman

Women and Experimental Filmmaking gathers essays by some of the top scholars in cinema studies dealing with women experimental filmmakers. Tracking the topic across racial, economic, geographic, and even temporal boundaries, Jean Petrolle and Virginia Wexman's selections refiect the deep diversity of methodologies and research. The introduction sets out by

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Women s Experimental Cinema

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WOMEN S EXPERIMENTAL CINEMA CRITICAL FRAMEWORKS

WOMEN S EXPERIMENTAL CINEMA CRITICAL FRAMEWORKS by ROBIN BLAETZ.

Women's Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing various

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Women s Experimental Cinema

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Women’s Experimental Cinema provides lively introductions to the work of fifteen avant-garde women filmmakers, some of whom worked as early as the 1950s and many of whom are still working today. In each essay in this collection, a leading film scholar considers a single filmmaker, supplying biographical information, analyzing

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Points of Resistance

Points of Resistance by Lauren Rabinovitz

In detailing the relationship of three women filmmakers' lives and films to the changing institutions of the post-World War II era, Lauren Rabinovitz has created the first feminist social history of the North American avant-garde cinema. At a time when there were few women directors in commercial films, the postwar

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Women s Cinema

Women s Cinema by Alison Butler

Women's Cinema provides an introduction to critical debates around women's filmmaking and relates those debates to a variety of cinematic practices. Taking her cue from the groundbreaking theories of Claire Johnston, Alison Butler argues that women's cinema is a minor cinema that exists inside other cinemas, inflecting and contesting the

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Experiments in She ness women and undependent cinema

Experiments in She ness women and undependent cinema by Bryan Konefsky

Experiments in She-ness: Women and Undependent Cinema contains a remarkably varied collection of essays that study, in historic and forward thinking ways, the role(s) "she-ness" has played in alternative, cinematic practices.

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Doing Women s Film History

Doing Women s Film History by Christine Gledhill,Julia Knight

Research into and around women's participation in cinematic history has enjoyed dynamic growth over the past decade. A broadening of scope and interests encompasses not only different kinds of filmmaking--mainstream fiction, experimental, and documentary--but also practices--publicity, journalism, distribution and exhibition--seldom explored in the past. Cutting-edge and inclusive, Doing Women's Film

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