Art History After Sherrie Levine

This book PDF is perfect for those who love Art genre, written by Howard Singerman and published by Univ of California Press which was released on 07 May 2024 with total hardcover pages 310. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Art History After Sherrie Levine books below.

Art History After Sherrie Levine

Author	: Howard Singerman
File Size	: 44,5 Mb
Publisher	: Univ of California Press
Language	: English
Release Date	: 07 May 2024
ISBN	: 9780520267220
Pages	: 310 pages

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Art History After Sherrie Levine by Howard Singerman Book PDF Summary

For this in-depth examination of artist Sherrie Levine, Howard Singerman surveys a broad range of sources to assess an artist whose work was understood from the outset to oppose the values of the art world in the 1980s but who, by the end of the decade, was exhibiting in some of the most successful commercial galleries in New York.

Art History After Sherrie Levine by Howard Singerman,Sherrie Levine

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Sherrie Levine After Reinhardt by Anonim

The renowned American artist Sherrie Levine engages her ongoing practice of appropriating artworks from the Western art-historical canon—this time taking Ad Reinhardt’s Blue Paintings as a point of departure. Monochromes After Reinhardt: 1–28 (2018) is a new body of work by Levine that continues her ongoing investigation of color separated

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Reuse Value by Richard Brilliant,Dale Kinney

This book offers a range of views on spolia and appropriation in art and architecture from fourth-century Rome to the late twentieth century. Using case studies from different historical moments and cultures, contributors test the limits of spolia as a critical category and seek to define its specific character in

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Sherrie Levine by Howard Singerman

Texts—including essays, reviews, and statements by the artist—on the work of Sherrie Levine. The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists—most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography.

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Sherrie Levine Diary 2019 by Sherrie Levine

Diaries and journals have a long, complex history within visual culture. American artist Sherrie Levine continues the tradition with Diary 2019 by making the private public. Inspired by Polish writer Witold Gombrowicz’s Diary and its famed opening entries, written in 1953— “Monday: Me. Tuesday: Me. Wednesday: Me. Thursday: Me.”—Levine prints

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Sherrie Levine Dominoes by Sherrie Levine

The latest in the Spotlight series, which focuses on new bodies of work by contemporary artists, Sherrie Levine: Dominoes showcases several bodies of work that are central to Levine’s practice, and that distinctly engage the artist’s ongoing inquiry into notions of authorship, originality, and authenticity.

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Sherrie Levine by Neues Museum (Nuremberg, Germany)

The American artist Sherrie Levine realises in her works the artistic praxis of appropriating, repeating and varying famous earlier artworks. At the same time in doing so she creates her own new oeuvre. Beyond the mere copy she further develops the works c onceptually and with historical clichés, presenting

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Art Rethought by Nicholas Wolterstorff

Human beings engage works of the arts in many different ways: they sing songs while working, they kiss icons, they create and dedicate memorials. Yet almost all philosophers of art of the modern period have ignored this variety and focused entirely on just one mode of engagement, namely, disinterested attention.

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