Chaucer and Pagan Antiquity

This book PDF is perfect for those who love Literary Criticism genre, written by Alastair J. Minnis and published by Boydell & Brewer Ltd which was released on 02 May 1982 with total hardcover pages 214. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Chaucer and Pagan Antiquity books below.

Chaucer and Pagan Antiquity
Author : Alastair J. Minnis
File Size : 49,7 Mb
Publisher : Boydell & Brewer Ltd
Language : English
Release Date : 02 May 1982
ISBN : 9780859910989
Pages : 214 pages
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Chaucer and Pagan Antiquity by Alastair J. Minnis Book PDF Summary

Professor Minnis argues that the paganism in Troilus and Criseyde and The Knight's Taleis not simply a backdrop but must be central to our understanding of the texts. Chaucer's two great pagan poems, Troilus and Criseyde and The Knight's Tale, belong to the literary genre known as the `romance of antiquity' (which first appeard in the mid 12th century), in which the ancient pagan world is shown on its own terms, without the blatant Christian bias against paganism characteristic of works like the Chanson de Roland, where the writer is concerned with present-day rather than classical forms of paganism. Chaucer's attitudes to antiquity were influenced, but not determined, by those found in the compilations, commentaries, mythographies and history books which we know that he knew. These sources illuminate the manner in which he transformed Boccaccio. Much modern criticism has concentrated on the medieval veneer of manners and fashions which are ascribed to the heathen protagonists of Troilus and The Knight's Tale; Dr Minnis examines the other side of the coin, Chaucer's historical interest in cultures very different from his own. The paganism in these poems is not mere background and setting, but an essential part of their overall meaning.

Chaucer and Pagan Antiquity

Professor Minnis argues that the paganism in Troilus and Criseyde and The Knight's Taleis not simply a backdrop but must be central to our understanding of the texts. Chaucer's two great pagan poems, Troilus and Criseyde and The Knight's Tale, belong to the literary genre known as the `romance of

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Chaucer s The Knight s Tale and the Limits of Human Order in the Pagan World

Chaucer's A Knight's Tale is primarily a poem about the world, symbolized by Athens, based upon ancient ideals of philosophy, politics, and, ultimately, theology, in which men who try to act upon these ideals find themselves in crises that undermine the very ideals in which they have placed their confidence.

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Chaucer s Agents

Chaucer's Agents draws on medieval and modern theories of agency to provide fresh readings of the major Chaucerian texts. Collectively, those readings aim to illuminate Chaucer's responses to two greta problems of agency: the degree to which human beings and forces qualify as agents, and the equal reference of "agent"

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Chaucer and Petrarch

First full study of Chaucer's readings and translations of Petrarch suggests a far greater influence than has hitherto been accepted.

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Oxford Guides to Chaucer  Troilus and Criseyde

This is a comprehensive critical guide to Chaucer's Troilus and Criseyde. This new edition has been comprehensively revised in light of the latest scholarly and critical research and with a fully updated bibliography. It includes a full account of Chaucer's imaginative deployment of his sources, and an extended survey of

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Chaucer s Knight s Tale

As the first of the Canterbury Tales, the Knight's Tale has been the subject of a vast body of comment by scholars and lay readers. Monica McAlpine provides access to this material in the first of the Chaucer Bibliographies series to deal with a narrative portion of that author's best-known

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Chaucer and Boccaccio

In the late Middle Ages, Chaucer invents two imaginative domains crucial to his culture and to our understanding of the emergence of selfhood, subjectivity and social arrangements; antiquity and late-medieval modernity. Edwards demonstrates in this study how this was the result of Chaucer's reading and re-writing of the works of

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Chaucer s Prayers

In a culture as steeped in communal, scripted acts of prayer as Chaucer's England, a written prayer asks not only to be read, but to be inhabited: its "I" marks a space that readers are invited to occupy. This book examines the implications of accepting that invitation when reading Chaucer's

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