Film Phenomenology and Adaptation

This book PDF is perfect for those who love Performing Arts genre, written by David E. Richard and published by Amsterdam University Press which was released on 30 March 2021 with total hardcover pages 250. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Film Phenomenology and Adaptation books below.

Film Phenomenology and Adaptation
Film Phenomenology and Adaptation
Author : David E. Richard
File Size : 42,5 Mb
Publisher : Amsterdam University Press
Language : English
Release Date : 30 March 2021
ISBN : 9789048543052
Pages : 250 pages
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Film Phenomenology and Adaptation by David E. Richard Book PDF Summary

Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film adaptation, we must first apprehend their sensual form. Across its chapters, this book brings the philosophy and research methodology of phenomenology into contact with adaptation studies, examining how vision, hearing, touch, and the structures of the embodied imagination and memory thicken and make tangible an adaptation's source. In doing so, this book not only conceives adaptation as an intertextual layering of source material and adaptation, but also an intersubjective and textural experience that includes the materiality of the body.

Film Phenomenology and Adaptation

Film Phenomenology and Adaptation by David E. Richard

Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film adaptation, we must first apprehend their sensual form. Across its chapters, this book brings the philosophy and research methodology of phenomenology into contact with adaptation studies, examining how vision, hearing, touch, and the structures of

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Theorizing Adaptation

Theorizing Adaptation by Kamilla Elliott

From film and television theory to intertextuality, poststructuralism to queer theory, postcolonialism to meme theory, a host of contemporary theories in the humanities have engaged with adaptation studies. Yet theorizing adaptation has been deemed problematic in the humanities' theoretical and disciplinary wars, been charged with political incorrectness by both conservative

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Film Adaptation

Film Adaptation by James Naremore

An investigation of how cinema transforms stories from other sources, such as literature and history, onto the movie screen

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Documentary Time

Documentary Time by Malin Wahlberg

Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. The configuration of time is crucial in organizing the sensory affects of film in general but, as Wahlberg adroitly demonstrates, in

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Phenomenology of Film

Phenomenology of Film by Shawn Loht

Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing key issues in the philosophy of film. This study grapples with the question of how we can reconcile film as a popular entertainment medium with Heidegger’s own various

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The Address of the Eye

The Address of the Eye by Vivian Sobchack

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining

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Adaptation Studying Film and Literature

Adaptation Studying Film and Literature by John Desmond,Peter Hawkes

This concise and readable new text for courses in Film Adaptation or Film and Literature introduces students to the art of adapting works of literature for film. Adaptation describes the interwoven histories of literature and film, presents key analytical approaches to adaptation, and provides an in-depth overview of adaptations of

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Film and Phenomenology

Film and Phenomenology by Allan Casebier,Author William Rothman,R Selden Rose Professor of Film and Comparative Literature Dudley Andrew

Film and Phenomenology presents a new approach to the question of cinematic representation, which runs contrary to the course of contemporary film theory.Film and Phenomenology presents a new approach to the question of cinematic representation which runs contrary to the course of contemporary film theory.

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