Film and Phenomenology

This book PDF is perfect for those who love Performing Arts genre, written by Allan Casebier and published by Cambridge University Press which was released on 25 October 1991 with total hardcover pages 184. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Film and Phenomenology books below.

Film and Phenomenology

Author	: Allan Casebier
File Size	: 45,5 Mb
Publisher	: Cambridge University Press
Language	: English
Release Date	: 25 October 1991
ISBN	: 0521411327
Pages	: 184 pages

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Film and Phenomenology by Allan Casebier Book PDF Summary

Film and Phenomenology presents a new approach to the question of cinematic representation, which runs contrary to the course of contemporary film theory.Film and Phenomenology presents a new approach to the question of cinematic representation which runs contrary to the course of contemporary film theory.

Film and Phenomenology by Allan Casebier,Author William Rothman,R Selden Rose Professor of Film and Comparative Literature Dudley Andrew

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James Joyce and the Phenomenology of Film by Cleo Hanaway

James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers,

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Phenomenology of Film by Shawn Loht

Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing key issues in the philosophy of film. This study grapples with the question of how we can reconcile film as a popular entertainment medium with Heidegger’s own various

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Phenomenology and the Future of Film by J. Chamarette

Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity.

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Film Phenomenology and Adaptation by David E. Richard

Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film adaptation, we must first apprehend their sensual form. Across its chapters, this book brings the philosophy and research methodology of phenomenology into contact with adaptation studies, examining how vision, hearing, touch, and the structures of

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The Address of the Eye by Vivian Sobchack

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining

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Documentary Time by Malin Wahlberg

Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. The configuration of time is crucial in organizing the sensory affects of film in general but, as Wahlberg adroitly demonstrates, in

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The Structures of the Film Experience by Jean Pierre Meunier by Julian Hanich,Daniel Fairfax

For the first time this volume makes Jean-Pierre Meunier's insightful thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier's intricate phenomenological descriptions of the spectator's engagement with fiction films, documentaries and home movies can reach the wide audience

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