Phenomenology and the Future of Film

This book PDF is perfect for those who love Performing Arts genre, written by J. Chamarette and published by Springer which was released on 28 September 2012 with total hardcover pages 271. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Phenomenology and the Future of Film books below.

Phenomenology and the Future of Film

Author	: J. Chamarette
File Size	: 43,9 Mb
Publisher	: Springer
Language	: English
Release Date	: 28 September 2012
ISBN	: 9781137283740
Pages	: 271 pages

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Phenomenology and the Future of Film by J. Chamarette Book PDF Summary

Using hybrid phenomenological approaches to film, this book focuses on how moving images are 'experienced' and 'encountered' as well as 'read' and 'viewed'. Its close engagements with films and installations by four contemporary French filmmakers explore the limits and possibilities of 'cinematic' subjectivity.

Phenomenology and the Future of Film by J. Chamarette

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James Joyce and the Phenomenology of Film by Cleo Hanaway

James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers,

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Film Phenomenology and Adaptation by David E. Richard

Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film adaptation, we must first apprehend their sensual form. Across its chapters, this book brings the philosophy and research methodology of phenomenology into contact with adaptation studies, examining how vision, hearing, touch, and the structures of

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Phenomenology of Film by Shawn Loht

Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing key issues in the philosophy of film. This study grapples with the question of how we can reconcile film as a popular entertainment medium with Heidegger’s own various

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The Address of the Eye by Vivian Sobchack

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining

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The Routledge Companion to Cinema Gender by Kristin Lené Hole,Dijana Jelača,E. Ann Kaplan,Patrice Petro

Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria,

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Affective Intensities and Evolving Horror Forms by Daniel Adam Daniel

Horror cinema is a genre that is undergoing constant evolution, from the sub-genre of 'found footage,' to post-cinematic new media forms such as Youtube horror, horror video games and cinematic virtual reality horror. By investigating how these new forms alter the dynamics of spectatorship, this book charts how cinema's

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Documentary Time by Malin Wahlberg

Finding the theoretical space where cinema and philosophy meet, Malin Wahlberg's sophisticated approach to the experience of documentary film aligns with attempts to reconsider the premises of existential phenomenology. The configuration of time is crucial in organizing the sensory affects of film in general but, as Wahlberg adroitly demonstrates, in

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