Intervals Scales Tones and the Concert Pitch C

This book PDF is perfect for those who love Musical intervals and scales genre, written by Maria Renold and published by Temple Lodge Publishing which was released on 19 May 2024 with total hardcover pages 210. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Intervals Scales Tones and the Concert Pitch C books below.

Intervals  Scales  Tones and the Concert Pitch C
Author : Maria Renold
File Size : 47,8 Mb
Publisher : Temple Lodge Publishing
Language : English
Release Date : 19 May 2024
ISBN : 9781906999735
Pages : 210 pages
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Intervals Scales Tones and the Concert Pitch C by Maria Renold Book PDF Summary

Why is it that certain intervals, scales, and tones sound genuine, while others sound false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Renold tackles these and many other questions and provides a wealth of scientific data. Her pioneering work is the result of a lifetime of research into the Classical Greek origin of Western music and the search for modern developments. She deepens our musical understanding by using Rudolf Steiner's spiritual science as a basis, and she elucidates many of his puzzling statements about music. The results of her work include the following discoveries: - The octave has two sizes (a 'genuine' sounding octave is bigger than the "perfect octave") - There are three sizes of "perfect fifths" - An underlying "form principle" for all scales can be found - Equal temperament is not the most satisfactory method of tuning a piano - She provides a basis for some of Steiner's statements, such as, "C is always prime" and "C = 128 Hz = Sun." Intervals, Scales, Tones is a valuable resource for those who wish to understand the deeper, spiritual aspects of music.

Intervals  Scales  Tones and the Concert Pitch C

Why is it that certain intervals, scales, and tones sound genuine, while others sound false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Renold tackles these

Get Book
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