Millet and Modern Art

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Millet and Modern Art
Author : Simon R. Kelly
File Size : 40,5 Mb
Publisher : Unknown
Language : English
Release Date : 19 May 2024
ISBN : 0300248660
Pages : 0 pages
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Millet and Modern Art by Simon R. Kelly Book PDF Summary

"During his lifetime, the French artist Jean-Franðcois Millet (1814-1875) was frequently criticized for his peasant paintings. Traditionalists objected to his raw, radical technique and the sharp social critique they perceived in his work. Shortly after his death, however, Millet was embraced as a national hero who had captured the French countryside in all its glory. The artist's fame extended from Europe to America and Russia, and his modern style and sympathetic depiction of peasant life remained a source of inspiration until well into the twentieth century. This publication sets Millet's work in the context of the figures he inspired: artists including Vincent van Gogh, Claude Monet, Giovanni Segantini, Winslow Homer, Paula Modersohn-Becker, Kazimir Malevich, Edvard Munch, and Salvador Dalâi"--

Millet and Modern Art

"During his lifetime, the French artist Jean-Franðcois Millet (1814-1875) was frequently criticized for his peasant paintings. Traditionalists objected to his raw, radical technique and the sharp social critique they perceived in his work. Shortly after his death, however, Millet was embraced as a national hero who had captured the

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Jean Francois Millet  Sower of Modern Art

An insightful overview of how Millet influenced and inspired many modernist artists that followed him Jean-Francois Millet (1814-1875) was one of the most important artists of the Barbizon School. Through his publicly exhibited works and their critical reception, Millet was of crucial significance to modernist painters. Millet's modernity is evident

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From Millet to L  ger

In a preface prepared for this volume, Herbert explains that these essays are linked by a focus on the relation of art to the urban-industrial revolution."--BOOK JACKET.

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V  nus Noire

Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped

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Contemporary Art in France

A comprehensive review of the artistic movements that have taken place in France from the 1960s to the present, this study benefits from the anecdotes and personal memories of its author, Catherine Millet. The internationally respected art critic, who was herself an active participant in these movements, breathes life into

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Meaning of Modern Art

That modern art is different from earlier art is so obvious as to be hardly worth mentioning. Yet there is little agreement as to the meaning or the importance of this difference. Indeed, contemporary aestheticians, especially, seem to feel that modern art does not depart in any essential way from

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Jean Fran  ois Millet

Traces the life and career of the artist whose vibrant depiction of rural life helped create Impressionism and Modern art

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