Musical Motives

This book PDF is perfect for those who love Music genre, written by Brent Auerbach and published by Oxford University Press which was released on 05 May 2024 with total hardcover pages 397. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Musical Motives books below.

Musical Motives
Author : Brent Auerbach
File Size : 49,6 Mb
Publisher : Oxford University Press
Language : English
Release Date : 05 May 2024
ISBN : 9780197526026
Pages : 397 pages
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Musical Motives by Brent Auerbach Book PDF Summary

The da-da-da-DUM motive from Beethoven's Fifth Symphony is an undeniably evocative moment for any music fan. Whether it be a first foray into classical music, childhood piano lessons, or the soundtrack to a beloved movie scene, this is a moment not easily forgotten. So what makes this andother musical motives so memorable? In Musical Motives, author Brent Auerbachs look at the ways that motives - or the small-scale pitch and rhythm shapes ever-present in music - tie musical compositions together, and why we remember some more than others.Musical motives function like motifs in visual art, tying together sonic space. They repeat frequently, either as perfect copies or with slight variation. With presence in all musical genres from classical and popular to jazz and world music, motives are ideal tools for musical analysis. Openingwith an introduction to motives, Musical Motives offers a new and universal system of motivic nomenclature, then demonstrates how motives - both in small and in expanded forms stretching over many measures - help explain the structure and drama of musical works. Taking amateurs and experts alikeinto consideration, Auerbach provides two tiers of analytic method: Basic and Complex Motivic Analysis. To illustrate these methods, he offers large-scale analyses of pieces by Handel, Beethoven, Mozart, Chaminade, Radiohead, and others.

Musical Motives

The da-da-da-DUM motive from Beethoven's Fifth Symphony is an undeniably evocative moment for any music fan. Whether it be a first foray into classical music, childhood piano lessons, or the soundtrack to a beloved movie scene, this is a moment not easily forgotten. So what makes this andother musical motives

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Musical Motives

All music fans harbor in their memories vivid fragments of their favorite works. The starting guitar solo of "Satisfaction" by the Rolling Stones, the da-da-da-DUM gesture that opens Beethoven's Fifth Symphony, the lush swelling chords of a beloved movie soundtrack: hearing the briefest snippet of any of these is enough

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Conceptualizing Music

This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of

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The first thorough theoretical study of Janácek's compositions, focusing on motivic and rhythmic structure and identifying elements that give the music coherence, character, and interest.

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Definitions -- Transformations -- Assimilative allusions -- Contrastive allusions -- Texting -- Inspiration -- Naming -- Allusive traditions and audiences -- Motives for allusion.

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Download or read online Guide Through the Musical Motives of Richard Wagner s Tristan and Isolde written by Hans von Wolzogen, published by Unknown which was released on 1889. Get Guide Through the Musical Motives of Richard Wagner s Tristan and Isolde Books now! Available in PDF, ePub and Kindle.

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Download or read online The Musical Standard written by Anonim, published by Unknown which was released on 1880. Get The Musical Standard Books now! Available in PDF, ePub and Kindle.

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Download or read online Richard Wagner and the Style of the Music drama written by Wilbur Fiske Stone, published by Unknown which was released on 1897. Get Richard Wagner and the Style of the Music drama Books now! Available in PDF, ePub and Kindle.

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