Shakespeare and the Ethics of Appropriation

This book PDF is perfect for those who love Literary Criticism genre, written by Alexa Huang and published by Springer which was released on 23 October 2014 with total hardcover pages 281. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Shakespeare and the Ethics of Appropriation books below.

Shakespeare and the Ethics of Appropriation

Author	: Alexa Huang
File Size	: 48,7 Mb
Publisher	: Springer
Language	: English
Release Date	: 23 October 2014
ISBN	: 9781137375773
Pages	: 281 pages

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Shakespeare and the Ethics of Appropriation by Alexa Huang Book PDF Summary

Making an important new contribution to rapidly expanding fields of study surrounding the adaptation and appropriation of Shakespeare, Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.

Shakespeare and the Ethics of Appropriation by Alexa Huang,Elizabeth Rivlin

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The Ethical Implications of Shakespeare in Performance and Appropriation by Louise Geddes,Kathryn Vomero Santos,Geoffrey Way

[headline]Redefines the ways in which performance studies and appropriation theory can be used to approach Shakespeare Bringing together the discrete fields of appropriation and performance studies, this collection explores pivotal intersections between the two approaches to consider the ethical implications of decisions made when artists and scholars appropriate Shakespeare.

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The Routledge Handbook of Shakespeare and Global Appropriation by Christy Desmet,Sujata Iyengar,Miriam Jacobson

The Routledge Handbook of Shakespeare and Global Appropriation brings together a variety of different voices to examine the ways that Shakespeare has been adapted and appropriated onto stage, screen, page, and a variety of digital formats. The thirty-nine chapters address topics such as trans- and intermedia performances; Shakespearean utopias and

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Shakespeare and Cultural Appropriation by Vanessa I. Corredera,L.Monique Pittman,Geoffrey Way

Shakespeare and Cultural Appropriation pushes back against two intertwined binaries: the idea that appropriation can only be either theft or gift, and the idea that cultural appropriation should be narrowly defined as an appropriative contest between a hegemonic and marginalized power. In doing so, the contributions to the collection provide

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Performing Shakespearean Appropriations by Darlena Ciraulo,Matthew Kozusko,Robert Sawyer

This collection of essays brings together innovative scholarship on Shakespeare’s afterlives in tribute to Christy Desmet. Contributors explore the production and consumption of Shakespeare in acts of adaptation and appropriation across a range of performance topics, from book history to the novel to television, cinema, and digital media.

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Appropriating Shakespeare by Louise Geddes

Appropriating Shakespeare argues that the vibrant history of Pyramus and Thisbe as an independent text affirms the place of artist as both consumer and producer of Shakespeare. The playlet’s four-century history is one that identifies Shakespeare’s value as a transformative agent of aesthetic inquiry.

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The Shakespearean International Yearbook by Alexa Alice Joubin,Natalia Khomenko,Katherine Schaap Williams

The Shakespearean International Yearbook surveys the present state of Shakespeare studies in global contexts, addressing issues that are fundamental to our interpretive encounter with Shakespeare’s work and his time. Contributions are solicited from scholars across the field and from both hemispheres of the globe who represent diverse career stages

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Shakespeare in Cuba by Donna Woodford-Gormley

Shakespeare in Cuba: Caliban’s Books explores how Shakespeare is consumed and appropriated in Cuba. It contributes to the underrepresented field of Latin American Shakespeares by applying the lens of cultural anthropophagy, a theory with Latin American roots, to explore how Cuban artists ingest and transform Shakespeare’s plays. By

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