Sound A Reader in Theatre Practice

This book PDF is perfect for those who love Performing Arts genre, written by Ross Brown and published by Bloomsbury Publishing which was released on 27 November 2009 with total hardcover pages 264. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Sound A Reader in Theatre Practice books below.

Sound A Reader in Theatre Practice

Author	: Ross Brown
File Size	: 41,8 Mb
Publisher	: Bloomsbury Publishing
Language	: English
Release Date	: 27 November 2009
ISBN	: 9781137217653
Pages	: 264 pages

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Sound A Reader in Theatre Practice by Ross Brown Book PDF Summary

Brown explores relationships between sound and theatre, focusing on sound's interdependence and interaction with human performance and drama. Suggesting different ways in which sound may be interpreted to create meaning, it includes key writings on sound design, as well as perspectives from beyond the discipline.

Sound A Reader in Theatre Practice by Ross Brown

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Puppetry A Reader in Theatre Practice by Penny Francis

In this sophisticated and compelling introduction to puppet theatre, Penny Francis offers engaging contemporary perspectives on this universal art-form. She provides an account of puppetry's different facets, from its demands and techniques, through its uses and abuses, to its history and philosophy. Now recognized as a valuable and powerful medium

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The Sound Handbook by Tim Crook

'Tim Crook has written an important and much-needed book, and its arrival on our shelves has come at a highly appropriate time.' Professor Seán Street, Bournemouth University The Sound Handbook maps theoretical and practical connections between the creation and study of sound across the multi-media spectrum of film,

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Theatre Aurality by Lynne Kendrick

This book explores the critical field of theatre sound and the sonic phenomena of theatre. It draws together a wide range of related topics, including sound design and sonic sonographies, voice as a performance of sound, listening as auditory performance, and audience as resonance. It explores radical forms of sonic

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Musicality in Theatre by David Roesner

As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the

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Theatre Noise by Lynne Kendrick,David Roesner

This book is a timely contribution to the emerging field of the aurality of theatre and looks in particular at the interrogation and problematisation of theatre sound(s). Both approaches are represented in the idea of ‘noise’ which we understand both as a concrete sonic entity and a metaphor or

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Theatre and Aural Attention by George Home-Cook

Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focusing on four core aural phenomena in theatre – noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres.

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Avant Garde Theatre Sound by A. Curtin

Sound experimentation by avant-garde theatre artists of the late-nineteenth and early-twentieth centuries is an important but ignored aspect of theatre history. Curtin explores how artists engaged with the sonic conditions of modernity through dramatic form, characterization, staging, technology, performance style, and other forms of interaction.

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