Theatre and Aural Attention

This book PDF is perfect for those who love Performing Arts genre, written by George Home-Cook and published by Springer which was released on 10 May 2015 with total hardcover pages 229. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Theatre and Aural Attention books below.

Theatre and Aural Attention

Author	: George Home-Cook
File Size	: 50,6 Mb
Publisher	: Springer
Language	: English
Release Date	: 10 May 2015
ISBN	: 9781137393692
Pages	: 229 pages

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Theatre and Aural Attention by George Home-Cook Book PDF Summary

Theatre and Aural Attention investigates what it is to attend theatre by means of listening. Focusing on four core aural phenomena in theatre – noise, designed sound, silence, and immersion - George Home-Cook concludes that theatrical listening involves paying attention to atmospheres.

Theatre and Aural Attention by George Home-Cook

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Theatre Noise by Lynne Kendrick,David Roesner

This book is a timely contribution to the emerging field of the aurality of theatre and looks in particular at the interrogation and problematisation of theatre sound(s). Both approaches are represented in the idea of ‘noise’ which we understand both as a concrete sonic entity and a metaphor or

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Sound A Reader in Theatre Practice by Ross Brown

Brown explores relationships between sound and theatre, focusing on sound's interdependence and interaction with human performance and drama. Suggesting different ways in which sound may be interpreted to create meaning, it includes key writings on sound design, as well as perspectives from beyond the discipline.

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Theatre Aurality by Lynne Kendrick

This book explores the critical field of theatre sound and the sonic phenomena of theatre. It draws together a wide range of related topics, including sound design and sonic sonographies, voice as a performance of sound, listening as auditory performance, and audience as resonance. It explores radical forms of sonic

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Listening for Theatrical Form in Early Modern England by Deutermann Allison Deutermann

Examines the impact of hearing on the formal and generic development of early modern theatreEarly modern drama was in fundamental ways an aural art form. How plays should sound, and how they should be heard, were vital questions to the formal development of early modern drama. Ultimately, they shaped the

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Disordered Attention by Claire Bishop

The ways we encounter contemporary art and performance is changing. Installations brim with archival documents. Dances stretch for weeks. Performances last a minute. Exhibitions are spread out over thirty venues. There are endless artworks about mid-century architecture and design. How are we expected to engage with today's diverse practise? Is

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Kinesthetic Spectatorship in the Theatre by Stanton B. Garner, Jr.

This book is about the centrality of movement, movement perception, and kinesthetic experience to theatrical spectatorship. Drawing upon phenomenological accounts of movement experience and the insights of cognitive science, neuroscience, acting theory, dance theory, philosophy of mind, and linguistics, it considers how we inhabit the movements of others and how

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Theatre Music and Sound at the RSC by Millie Taylor

This book discusses an exciting laboratory that has been developing the practice of theatre music composition and sound design since 1961: the Royal Shakespeare Company. Musical practices have evolved as composers and musical directors inherited from the past and innovated with new technology; different interpretations of single plays in multiple iterations

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