String Quartets in Beethoven s Europe

This book PDF is perfect for those who love Music genre, written by Nancy November and published by Academic Studies PRess which was released on 19 April 2022 with total hardcover pages 346. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related String Quartets in Beethoven s Europe books below.

String Quartets in Beethoven   s Europe
Author : Nancy November
File Size : 46,9 Mb
Publisher : Academic Studies PRess
Language : English
Release Date : 19 April 2022
ISBN : 9781644697894
Pages : 346 pages
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String Quartets in Beethoven s Europe by Nancy November Book PDF Summary

String Quartets in Beethoven’s Europe is the first detailed study of string quartets in late-eighteenth- and early-nineteenth-century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book’s chapters deal with compositional responses to Beethoven’s string quartets and the prestige of the genre; varied compositional practices in string quartet writing, with a particular emphasis on texture and performance elements; and the reception of Beethoven’s string quartets ca. 1800. They include discussions of quartets composed for the amateur and connoisseur markets in Beethoven’s Europe; virtuosity, the French Violin School, and the quatuor brillant; the relationship between quartet composers and their audiences during Beethoven’s era; and the cross-pollination of quartet styles in Europe’s musical centers such as Vienna, Paris, and St. Petersburg.

String Quartets in Beethoven   s Europe

String Quartets in Beethoven’s Europe is the first detailed study of string quartets in late-eighteenth- and early-nineteenth-century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book’s chapters deal with compositional responses to Beethoven’s string quartets and

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String Quartets in Beethoven s Europe

"This book is the first detailed study of string quartets in late-eighteenth and early-nineteenth century Europe. It brings together the work of nine scholars who explore little-studied aspects of this multi-faceted genre. Together, this book's chapters deal with compositional responses to Beethoven's string quartets and the prestige of the genre;

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Beethoven s String Quartet in C sharp Minor  Op  131

Beethoven's String Quartet in C-sharp minor Op. 131 (1826) is not only firmly a part of the scholarly canon, the performing canon, and the pedagogical canon, but also makes its presence felt in popular culture. Yet in recent times, the terms in which the C-sharp minor quartet is discussed and presented tend

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The String Quartets of B  la Bart  k

At the centre of Bartók's œuvre are his string quartets, which are generally acknowledged as some of the most significant pieces of 20th century chamber music. This book examines these remarkable works from a range of theoretical and methodological perspectives.

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Beethoven s String Quartet in C Sharp Minor  Op  131

Re-hearing Op. 131 -- Popular and early reception -- "A new kind of part writing" -- "Like an overly large fantasy" -- Op. 131 and the Rise of Attentive Listening.

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Beethoven for a Later Age

'They are not for you but for a later age!' Ludwig van Beethoven, on the Opus 59 quartets. Tackling the Beethoven quartets is a rite of passage that has shaped the Takács Quartet's work together for over forty years. Using the history of the composition and first performances of

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Beethoven s Quartets

Remarkably readable and accessible, this classic exposition presents a bar-by-bar, theme-by-theme analysis of all 16 quartets and the Grosse Fuge. Joseph de Marliave eschews technical terms, focusing on mood and general effects and illustrating his remarks with 321 musical examples. In addition to musicological information, de Marliave provides a complete background, encompassing

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Beethoven's middle-period quartets, Opp. 59, 74 and 95, are pieces that engage deeply with the aesthetic ideas of their time. In the first full contextual study of these works, Nancy November celebrates their uniqueness, exploring their reception history and early performance. In detailed analyses, she explores ways in which the quartets have both

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