The Child in Post Apocalyptic Cinema

This book PDF is perfect for those who love Social Science genre, written by Debbie Olson and published by Lexington Books which was released on 06 March 2015 with total hardcover pages 246. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related The Child in Post Apocalyptic Cinema books below.

The Child in Post Apocalyptic Cinema
Author : Debbie Olson
File Size : 48,7 Mb
Publisher : Lexington Books
Language : English
Release Date : 06 March 2015
ISBN : 9780739194294
Pages : 246 pages
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The Child in Post Apocalyptic Cinema by Debbie Olson Book PDF Summary

The child in many post-apocalyptic films occupies a unique space within the narrative, a space that oscillates between death and destruction, faith and hope. The Child in Post-Apocalyptic Cinema interrogates notions of the child as a symbol of futurity and also loss. By exploring the ways children function discursively within a dystopian framework we may better understand how and why traditional notions of childhood are repeatedly tethered to sites of adult conflict and disaster, a connection that often functions to reaffirm the “rightness” of past systems of social order. This collection features critical articles that explore the role of the child character in post-apocalyptic cinema, including classic, recent, and international films, approached from a variety of theoretical, methodological, and cultural perspectives.

The Child in Post Apocalyptic Cinema

The child in many post-apocalyptic films occupies a unique space within the narrative, a space that oscillates between death and destruction, faith and hope. The Child in Post-Apocalyptic Cinema interrogates notions of the child as a symbol of futurity and also loss. By exploring the ways children function discursively within

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Screening Children in Post apocalypse Film and Television

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The Child in World Cinema

This collection seeks to broaden the discussion of the child image by close analysis of the child and childhood as depicted in non-Western cinemas. Each essay offers a counter-narrative to Western notions of childhood by looking critically at alternative visions of childhood that does not privilege a Western ideal. Rather,

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