| Author | : Paul Kuritz |
| File Size | : 49,8 Mb |
| Publisher | : PAUL KURITZ |
| Language | : English |
| Release Date | : 11 May 1988 |
| ISBN | : 0135478618 |
| Pages | : 478 pages |
Download or read online The Making of Theatre History written by Paul Kuritz, published by PAUL KURITZ which was released on 1988. Get The Making of Theatre History Books now! Available in PDF, ePub and Kindle.
Get BookTheatre and Drama in the Making introduces readers not only to important primary sources, but to the uses made of them by distinguished theorists, critics, and historians. Unlike other texts, it discusses theatre as a whole, embracing both the art of dramatic writing and the art of performance. Included in
Get BookDownload or read online The Making of Theatre written by Robert Willoughby Corrigan, published by Pearson Scott Foresman which was released on 1981. Get The Making of Theatre Books now! Available in PDF, ePub and Kindle.
Get BookA scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.
Get BookAn annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.
Get BookA highly engaging text that approaches Shakespeare as a maker of theatre, as well as a writer of literature. Leading performance critics dismantle Shakespeare's texts, identifying theatrical cues in ways which develop understanding of the underlying theatricality of Shakespeare's plays and stimulate further performances.
Get BookGrange covers productions, theories, innovations, and plays from ancient Greece to the Spanish Golden Age. It does not read like a scholarly tome as its chapters allow the uninitiated reader access to well-researched and often humorous material. Descriptions of films augment discussions of theatre, helping readers better analyze theatre performance.
Get BookTheatre Studios explores the history of the studio model in England, first established by Konstantin Stanislavsky, Jacques Copeau and others in the early twentieth century, and later developed in the UK primarily by Michel Saint-Denis, George Devine, Michael Chekhov and Joan Littlewood, whose studios are the focus of this study.
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