The Oxford Handbook of Neo Riemannian Music Theories

This book PDF is perfect for those who love Music genre, written by Edward Gollin and published by OUP USA which was released on 22 December 2011 with total hardcover pages 628. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related The Oxford Handbook of Neo Riemannian Music Theories books below.

The Oxford Handbook of Neo Riemannian Music Theories

Author	: Edward Gollin
File Size	: 45,6 Mb
Publisher	: OUP USA
Language	: English
Release Date	: 22 December 2011
ISBN	: 9780195321333
Pages	: 628 pages

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The Oxford Handbook of Neo Riemannian Music Theories by Edward Gollin Book PDF Summary

In recent years neo-Riemannian theory has established itself as the leading approach of our time, and has proven particularly adept at explaining features of chromatic music. The Oxford Handbook of Neo-Riemannian Music Theories assembles an international group of leading music theory scholars in an exploration of the music-analytical, theoretical, and historical aspects of this new field.

The Oxford Handbook of Neo Riemannian Music Theories by Edward Gollin,Alexander Rehding

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The Oxford Handbook of Neo Riemannian Music Theories by Edward Gollin,Alexander Rehding

In recent years Hugo Riemann's ideas have thoroughly captured the music-theoretical imagination, both in the United States and abroad. Neo-Riemannian theory has proven particularly adept at explaining features of chromatic music where other theoretical approaches have failed, and in so doing has established itself as the leading theoretical approach of

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The Oxford Handbook of Neo Riemannian Music Theories by Edward Gollin,Alexander Rehding

"The Oxford Handbook of Neo-Riemannian Music Theories brings together an international group of leading proponents of Riemannian and neo-Riemannian theory for a thoroughgoing exploration of the music-analytical, systematic, and historical aspects of this important new field."--From publisher description

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Hugo Riemann and the Birth of Modern Musical Thought by Alexander Rehding

Generally acknowledged as the most important German musicologist of his age, Hugo Riemann (1849–1919) shaped the ideas of generations of music scholars, not least because his work coincided with the institutionalisation of academic musicology around the turn of the last century. This influence, however, belies the contentious idea at the heart

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Audacious Euphony by Richard Cohn

Music theorists have long believed that 19th-century triadic progressions idiomatically extend the diatonic syntax of 18th-century classical tonality, and have accordingly unified the two repertories under a single mode of representation. Post-structuralist musicologists have challenged this belief, advancing the view that many romantic triadic progressions exceed the reach of classical

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Tonality and Transformation by Steven Rings

Tonality and Transformation is a groundbreaking study in the analysis of tonal music. Focusing on the listener's experience, author Steven Rings employs transformational music theory to illuminate diverse aspects of tonal hearing - from the infusion of sounding pitches with familiar tonal qualities to sensations of directedness and attraction. In

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Hollywood Harmony by Frank Lehman

Film music often tells us how to feel, but it also guides us how to hear. Filmgoing is an intensely musical experience, one in which the soundtrack structures our interpretations and steers our emotions. Hollywood Harmony explores the inner workings of film music, bringing together tools from music theory, musicology,

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The Oxford Handbook of Critical Concepts in Music Theory by Alexander Rehding,Steven Rings

Music Theory operates with a number of fundamental terms that are rarely explored in detail. This book offers in-depth reflections on key concepts from a range of philosophical and critical approaches that reflect the diversity of the contemporary music theory landscape.

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