Twentieth Century British and American Theatre

This book PDF is perfect for those who love Literary Criticism genre, written by Christopher Innes and published by Routledge which was released on 23 May 2019 with total hardcover pages 316. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Twentieth Century British and American Theatre books below.

Twentieth Century British and American Theatre
Twentieth Century British and American Theatre
Author : Christopher Innes
File Size : 51,7 Mb
Publisher : Routledge
Language : English
Release Date : 23 May 2019
ISBN : 9780429782121
Pages : 316 pages
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Twentieth Century British and American Theatre by Christopher Innes Book PDF Summary

First published in 1999, this volume aims to develop the field of theatre studies by promoting the study of performative elements and thus fostering their consideration in the critical interpretation of dramatic literature. The authors additionally suggest ways of approaching and evaluating the work of individual performers, as well as of directors, designers and producers. It is an archival guide which covers manuscript and ephemera, rather than published texts, and attempts to indicate the potential value of the documentary material listed. This unique reference guide provides descriptions and evaluations of archive manuscript materials and ephemera relating to twentieth-century British and American theatre. Over 100 archives across Europe, North America and Britain were examined in the compilation of this volume. The documents include: unpublished playscripts; state and costume designs; directors' books; prompt books; lighting plots; stage photos; correspondence; theatre programmes. One hundred and seventy five entries are arranged alphabetically and cover playwrights, directors, designers and actors. By its nature, theatre is a collaborative enterprise, a facet which is recognised in the comprehensive cross-referencing of entries. The last twenty years has seen a shift in drama studies from text-based criticism to analysis of performance. The materials covered in this book have therefore become essential to future research in the field.

Twentieth Century British and American Theatre

Twentieth Century British and American Theatre by Christopher Innes,Katherine Carlstrom,Scott Fraser

First published in 1999, this volume aims to develop the field of theatre studies by promoting the study of performative elements and thus fostering their consideration in the critical interpretation of dramatic literature. The authors additionally suggest ways of approaching and evaluating the work of individual performers, as well as of

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This volume presents a passionately argued account of the history of the British theatre that spans the 20th century. It explores questions of the purpose and relevance of the theatre in a world dominated by electronic media.

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Twentieth Century British Theatre

Twentieth Century British Theatre by Claire Cochrane

In this book, Claire Cochrane maps the experience of theatre across the British Isles during the twentieth century through the social and economic factors which shaped it. Three topographies for 1900, 1950 and 2000 survey the complex plurality of theatre within the nation-state which at the beginning of the century was at the

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An authoritative, spirited account of the history of twentieth century theatre by two of its most distinguished practitioners.

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Continuum Companion to Twentieth Century Theatre

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International in scope, this book is designed to be the pre-eminent reference work on the English-speaking theatre in the twentieth century. Arranged alphabetically, it consists of some 2500 entries written by 280 contributors from 20 countries which include not only top-level experts, but, uniquely, leading professionals from the world of theatre. A fascinating

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Re Constructing Maternal Performance in Twentieth Century American Drama

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Looking at a century of American theatre, McDaniel investigates how race-based notions of maternal performance become sites of resistance to cultural and political hierarchies. This book considers how the construction of mothering as universally women's work obscures additional, equally constructed subdivisions based in race and class.

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This volume initiates a long-overdue reassessment of mid-twentieth-century British theatre cultures.

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