Women Photographers and Feminist Aesthetics

This book PDF is perfect for those who love Art genre, written by Claire Raymond and published by Taylor & Francis which was released on 21 April 2017 with total hardcover pages 242. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Women Photographers and Feminist Aesthetics books below.

Women Photographers and Feminist Aesthetics
Author : Claire Raymond
File Size : 41,9 Mb
Publisher : Taylor & Francis
Language : English
Release Date : 21 April 2017
ISBN : 9781317242468
Pages : 242 pages
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Women Photographers and Feminist Aesthetics by Claire Raymond Book PDF Summary

Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers, including cis- and trans-woman photographers. Claire Raymond provides close readings of key photographs spanning the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. She offers original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work in relation to gender, class, and race. The book also pays close attention to the way in which indigenous North Americans have been represented through photography and the ways in which contemporary Native American women photographers respond to this history. Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image. This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender.

Women Photographers and Feminist Aesthetics

Women Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers, including cis- and trans-woman photographers. Claire Raymond provides close readings of key photographs spanning the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. She

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Women Photographers and Mexican Modernity

The photographers discussed in this book probe the most contentious aspects of social organization in Mexico, questioning what it means to belong, to be Mexican, to experience modernity, and to create art as a culturally, politically, or racially marginalized person. By choosing human subjects, spaces, and aesthetics excluded from the

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Photography  A Feminist History

This feminist retelling of the history of photography puts women in the picture—and, more importantly, behind the camera! In ten thematic, chronological sections, Tate Modern curator Emma Lewis explores the vital role women artists have played in shaping the ever-evolving medium of photography. Lewis has compiled work from more

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Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues

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Combines exciting new visual imagery from women artists and the work of leading women theorists, in a multi-disciplinary examination of the body.

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This book examines the phenomenon of feminist photography as it unfolded in Britain during the 1970s and 1980s. Klorman-Eraqi offers a unique analysis of the intersection between feminism and photography and the period's social conflicts and theoretical debates, and adds to the understanding of feminist countercultural practices produced in this

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Reparative Aesthetics

By offering a new way of thinking about the role of politically engaged art, Susan Best opens up a new aesthetic field: reparative aesthetics. The book identifies an innovative aesthetic on the part of women photographers from the southern hemisphere, who against the dominant modes of criticality in political art,

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