| Author | : Anonim |
| File Size | : 42,7 Mb |
| Publisher | : Unknown |
| Language | : English |
| Release Date | : 27 May 1997 |
| ISBN | : UOM:39015040455134 |
| Pages | : 320 pages |
Download or read online ARSC Journal written by Anonim, published by Unknown which was released on 1997. Get ARSC Journal Books now! Available in PDF, ePub and Kindle.
Get BookThey were almost The Pendletones--after the Pendleton wool shirts favored on chilly nights at the beach--then The Surfers, before being named The Beach Boys. But what separated them from every other teenage garage band with no musical training? They had raw talent, persistence and a wellspring of creativity that launched
Get BookToday, jazz is considered high art, America’s national music, and the catalog of its recordings—its discography—is often taken for granted. But behind jazz discography is a fraught and highly colorful history of research, fanaticism, and the intense desire to know who played what, where, and when. This
Get BookDownload or read online ARSC Journal written by Anonim, published by Unknown which was released on 1998. Get ARSC Journal Books now! Available in PDF, ePub and Kindle.
Get BookFirst Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Get Book"Kenneth Morgan, who began collecting Reiner's recordings while still a schoolboy, has consulted printed and archival resources and undertaken new interviews with Reiner's associates, critics, and family. Fritz Reiner, Maestro and Martinet also offers the first close and systematic look at Reiner's recordings, interpretations, and musicality, vividly characterizing Reiner's distinctive
Get BookFeaturing fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.
Get BookThe hidden material histories of music. Music is seen as the most immaterial of the arts, and recorded music as a progress of dematerialization—an evolution from physical discs to invisible digits. In Decomposed, Kyle Devine offers another perspective. He shows that recorded music has always been a significant exploiter
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