Merleau Ponty and the Art of Perception

This book PDF is perfect for those who love Philosophy genre, written by Duane H. Davis and published by SUNY Press which was released on 01 March 2016 with total hardcover pages 337. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Merleau Ponty and the Art of Perception books below.

Merleau Ponty and the Art of Perception
Author : Duane H. Davis
File Size : 44,8 Mb
Publisher : SUNY Press
Language : English
Release Date : 01 March 2016
ISBN : 9781438459592
Pages : 337 pages
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Merleau Ponty and the Art of Perception by Duane H. Davis Book PDF Summary

Philosophers and artists consider the relevance of Maurice Merleau-Ponty’s philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics, this collection also considers poetry, literary works, theater, and relationships between art and science. In addition to philosophers, the contributors include a painter, a photographer, a musicologist, and an architect. This widened scope offers important philosophical benefits, testing and providing evidence for the empirical applicability of Merleau-Ponty’s aesthetic writings. The central argument is that for Merleau-Ponty the account of perception is also an account of art and vice versa. In the philosopher’s writings, art and perception thus intertwine necessarily rather than contingently such that they can only be distinguished by abstraction. As a result, his account of perception and his account of art are organic, interdependent, and dynamic. The contributors examine various aspects of this intertwining across different artistic media, each ingeniously revealing an original perspective on this intertwining.

Merleau Ponty and the Art of Perception

Philosophers and artists consider the relevance of Maurice Merleau-Ponty’s philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics,

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Phenomenology of Perception

Buddhist philosophy of Anicca (impermanence), Dukkha (suffering), and

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Merleau Ponty and the Art of Perception

Philosophers and artists consider the relevance of Maurice Merleau-Ponty’s philosophy for understanding art and aesthetic experience. This collection of essays brings together diverse but interrelated perspectives on art and perception based on the philosophy of Maurice Merleau-Ponty. Although Merleau-Ponty focused almost exclusively on painting in his writings on aesthetics,

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The World of Perception

'In simple prose Merleau-Ponty touches on his principle themes. He speaks about the body and the world, the coexistence of space and things, the unfortunate optimism of science – and also the insidious stickiness of honey, and the mystery of anger.' - James Elkins Maurice Merleau-Ponty was one of the

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Merleau Ponty at the Limits of Art  Religion  and Perception

This book poses the question of what lies at the limit of philosophy. Through close studies of French phenomenologist Maurice Merleau-Ponty's life and work, the authors examine one of the twentieth century's most interdisciplinary philosophers whose thought intersected with and contributed to the practices of art, psychology, literature, faith and

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The Primacy of Perception

Selected essays of Maurice Merleau-Ponty published from 1947 to 1961.

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Phenomenology of Perception

With Sartre, Merleau-Ponty was the foremost French philosopher of the post-war period. What makes this work so important is that it returned the body to the forefront of philosophy for the first time since Plato.

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Nature and Logos

This is the first booklength account of how Maurice Merleau-Ponty used certain texts by Alfred North Whitehead to develop an ontology based on nature, and how he could have used other Whitehead texts that he did not know in order to complete his last ontology. This account is enriched by

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