British Drama of the 1990s

This book PDF is perfect for those who love English drama genre, written by Bernhard Reitz and published by Universitatsverlag Winter which was released on 01 May 2024 with total hardcover pages 0. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related British Drama of the 1990s books below.

British Drama of the 1990s
British Drama of the 1990s
Author : Bernhard Reitz
File Size : 48,9 Mb
Publisher : Universitatsverlag Winter
Language : English
Release Date : 01 May 2024
ISBN : 3825313751
Pages : 0 pages
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British Drama of the 1990s by Bernhard Reitz Book PDF Summary

Contents: - Klaus-Peter Muller: Political Plays in England in the 1990s. - Mark Berninger: Variations of a Genre. The British History Play in the Nineties. - Mary Luckhurst: An Embarrassment of Riches. Women Dramatists in the 1990s Britain. - Heiko Stahl: 'There ain't no black in the Union Jack' vs 'England is de place for me'. Black Women Playwrights in Britain in the 1990s. - Christopher Innes: Science on the Stage. - Aleks Sierz: In-Yer-Face Theatre. Mark Ravenhill and 1990s Drama. Graham Saunders: The Apocalyptic Theatre of Sarah Kane. - Michael Raab: 'Post-feminist masculinity and all that shit'. Patrick Marber's Closer in London and Munich.- Raimund Borgmeier: 'Convergences of different threads'. Tom Stoppard's The Invention of Love (1997). Bernhard Reitz: "just wouldn't want to be at the other end of his anger". Harold Pinter's political Plays of the Nienties. - Heiner Zimmermann: Howard Barker in the Nineties.

British Drama of the 1990s

British Drama of the 1990s by Bernhard Reitz,Mark Berninger

Contents: - Klaus-Peter Muller: Political Plays in England in the 1990s. - Mark Berninger: Variations of a Genre. The British History Play in the Nineties. - Mary Luckhurst: An Embarrassment of Riches. Women Dramatists in the 1990s Britain. - Heiko Stahl: 'There ain't no black in the Union Jack' vs

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British Drama of the 90s

British Drama of the 90s by Irina Giertz

Exam Revision from the year 2005 in the subject English Language and Literature Studies - Literature, University of Cologne (Institut für Englische Philologie), course: British Drama of the 90s, language: English, abstract: The most frequently used characteristics of in-yer-face theatre are sensation, shock, confrontation, taboo breaking, disturbing, provocative, attacking. It

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Modern British Playwriting The 1990s

Modern British Playwriting The 1990s by Aleks Sierz

British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated

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Adaptations Versions and Perversions in Modern British Drama

Adaptations Versions and Perversions in Modern British Drama by Ignacio Ramos Gay

This book aims to explore which plays were deemed ‘suitable’ to be reworked for foreign or local stages; what transformations – linguistic, semiotic, theatrical – were undertaken so as to accommodate international audiences; how national literary traditions are forged, altered, and diluted by means of transnational adapting techniques; and, finally, to what

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British Theatre of the 1990s

British Theatre of the 1990s by M. Aragay,H. Klein,E. Monforte,P. Zozaya

This exciting book uniquely combines interviews with scholars and practitioners in theatre studies to look at what most people feel is a pivotal moment of British theatre - the 1990s. With a particular focus on 'in-yer-face theatre', this volume will be essential reading for all students and scholars of contemporary

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Love in Contemporary British Drama by Korbinian Stöckl

Despite the recent turn to affects and emotions in the humanities and despite the unceasing popularity of romantic and erotic love as a motif in fictional works of all genres, the subject has received surprisingly little attention in academic studies of contemporary drama. Love in Contemporary British Drama reflects the

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In Yer Face Theatre

In Yer Face Theatre by Aleks Sierz

The most controversial and newsworthy plays of British theatre are a rash of rude, vicious and provocative pieces by a brat pack of twentysomethings whose debuts startled critics and audiences with their heady mix of sex, violence and street-poetry. In-Yer-Face Theatre is the first book to study this exciting outburst

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The Function of Song in Contemporary British Drama

The Function of Song in Contemporary British Drama by Elizabeth Hale Winkler

This comprehensive study formulates an original theory that dramatic song must be perceived as a separate genre situated between poetry, music, and theater. It focuses on John Arden, Margaretta D'Arcy, Edward Bond, Peter Barnes, John Osborne, Peter Nichols, Harold Pinter, Tom Stoppard, Peter Shaffer, and John McGrath.

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