| Author | : Anonim |
| File Size | : 40,5 Mb |
| Publisher | : Unknown |
| Language | : English |
| Release Date | : 05 May 1965 |
| ISBN | : UCSC:32106001868451 |
| Pages | : 250 pages |
Download or read online Restoration Theatre written by Anonim, published by Unknown which was released on 1965. Get Restoration Theatre Books now! Available in PDF, ePub and Kindle.
Get BookFourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
Get BookThis book introduces students to drama from the Restoration of Charles II in 1660 to the early 18th Century. Susan Owen offers representative coverage of new forms of drama in this period, and of ways in which old forms are altered. Her study covers heroic drama, comedy, tragedy, tragi-comedy, and Shakespeare
Get BookDownload or read online The Restoration Theatre written by Montague Summers, published by Dalcassian Publishing Company which was released on 1934-01-01. Get The Restoration Theatre Books now! Available in PDF, ePub and Kindle.
Get BookDeborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
Get BookThis Companion illustrates the vitality and diversity of dramatic work 1660 to 1710. Twenty-five essays by leading scholars in the field bring together the best recent insights into the full range of dramatic practice and innovation at the time. Introduces readers to the recent boom in scholarship that has revitalised Restoration drama
Get BookThis book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.
Get BookBetween 1660 and 1682 seventeen versions of Shakespeare's plays were made for the newly reopened public theatres in London, and in its three parts 'Restoration Shakespeare: Viewing the Voice' offers a new view of why and how such adaptation was undertaken. Part I considers the seventeenth-century debate about how dramaric poetry works
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