Psychocinematics

This book PDF is perfect for those who love Psychology genre, written by Arthur P. Shimamura and published by Oxford University Press which was released on 15 February 2014 with total hardcover pages 400. You could read this book directly on your devices with pdf, epub and kindle format, check detail and related Psychocinematics books below.

Psychocinematics
Author : Arthur P. Shimamura
File Size : 50,5 Mb
Publisher : Oxford University Press
Language : English
Release Date : 15 February 2014
ISBN : 9780199862146
Pages : 400 pages
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Psychocinematics by Arthur P. Shimamura Book PDF Summary

Largely through trial and error, filmmakers have developed engaging techniques that capture our sensations, thoughts, and feelings. Philosophers and film theorists have thought deeply about the nature and impact of these techniques, yet few scientists have delved into empirical analyses of our movie experience-or what Arthur P. Shimamura has coined "psychocinematics." This edited volume introduces this exciting field by bringing together film theorists, philosophers, psychologists, and neuroscientists to consider the viability of a scientific approach to our movie experience.

Psychocinematics

Largely through trial and error, filmmakers have developed engaging techniques that capture our sensations, thoughts, and feelings. Philosophers and film theorists have thought deeply about the nature and impact of these techniques, yet few scientists have delved into empirical analyses of our movie experience-or what Arthur P. Shimamura has coined "

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Seeing into Screens

Seeing into Screens: Eye Tracking and the Moving Image is the first dedicated anthology that explores vision and perception as it materializes as viewers watch screen content. While nearly all moving image research either 'imagines' how its audience responds to the screen, or focuses upon external responses, this collection utilizes

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The Palgrave Handbook of the Philosophy of Film and Motion Pictures

This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer

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Characters are central to our experiences of screened fictions and invite a host of questions. The contributors to Screening Characters draw on archival material, interviews, philosophical inquiry, and conceptual analysis in order to give new, thought-provoking answers to these queries. Providing multifaceted accounts of the nature of screen characters, contributions

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Bringing together leading scholars from around the world and across scholarly disciplines, this collection of 32 original chapters provides a comprehensive exploration of the relationships between cities and media. The volume showcases diverse methods for studying media and the city and posits "media urbanism" as an approach to the co-construction and

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Identifying and Interpreting Incongruent Film Music

This book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film’s images and narrative. Defining incongruence as a lack of shared properties in the audiovisual relationship, this study examines various types of incongruence between

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Public Opinion     Propaganda     Ideology

As early as prewar Japan, thinkers of various intellectual proveniences had begun discussing the most important topics of contemporary media and communication studies, such as ways to define the social function of the press, journalism and the formation of public opinion. In Public Opinion – Propaganda – Ideology, light is particularly shed

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This volume provides a comprehensive account of how scholarship on affect and scholarship on texts have come to inform one another over the past few decades. The result has been that explorations of how texts address, elicit, shape, and dramatize affect have become central to contemporary work in literary, film,

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